There really is only so much ballasting one can take! It's still not finished, but I persevere.
Meantime, I thought I'd take a break and make a start on the station buildings. These have been started several times before, always with unsatisfactory results which end up being scrapped. The main problem is that the window surrounds are recessed slightly and there are stone corners to contend with too:
I'd tried plasticard with varying backing pieces and inlaid stonework. This was way too clunky. I reverted to brick papers, initially on a card carcass, first with Builder Plus paper and then with FMA paper. Whilst the paper was okay, the card was losing structural stability in the very thin areas.
Having welded brick paper to plasticard for the coal drops, I thought something similar might work for the building; two layers of plasticard, each with paper welded onto them. At first I cut the paper intending to let plain paper in to represent the stonework; again too clunky. I also made the mistake of folding the paper back round the window apertures; whilst colouring the edge, it was much too rounded in appearance.
Now that the various theories were ironed out (I hoped!), I made a start on the final attempt. Outer layer is 10 thou plasticard with the paper welded on using Liquid Poly. When dry, the window openings were cut into the paper using the plastic as a guide:
The inner layer is 30 thou treated in the same way. The two layers are then joined and hopefully all the various apertures line up:
The walls were all made in a similar way and then joined to each other. The outer layer was slightly larger than the inner such that there was a overlap on each joint. The paper was left oversize and trimmed once the join had set:
The final two walls were inserted at the BRM show at Doncaster last Sunday, whilst manning the Association stand. At the show Edward Sissling pointed out some Noch textured tilework. Initially sceptically, especially at over £11 per sheet (!) close examination showed it to be a self adhesive sheet, cast in a grey rubber, such that any cuts in it revealed no other colour. I decided to chance it:
Back home, I applied the tiles to the roof carcass and they are very convincing; to scratchbuild this quality is probably 5 or more hours just on tiling! The window apertures were coloured with a thinned enamel and stonework on the corners was represented in a similar way; built up with several very thin coats:
So far, so good. There is still much to do; ridge tiles, finish the chimney, windows and doors, curtains, weathering. But I'm happy with progress to date. Then I can commence on the rest of the range and start to bring the platform area together.
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