The latest of the coaches that made it to Railex but weren't quite finished is now done… barring the usual few bits waiting for some crud coloured paint.
To recap for those just joining the story, this is a Fleetline kit bought in the 1980s which has languished in my gloat box ever since. The kit has been assembled mostly 'as intended' except for discarding every whitemetal part (including the coach ends) and replacing with Plastikard.
I suspect that some readers may have been expecting me to finish this in blue/grey but looking critically at the etched sides I decided that they did not look quite right in terms of the window proportions and spacing so I decided to resort to a slightly different vehicle that really has different window proportions, namely the prototype Mark 2 FK W13252. Use of the present tense is deliberate, because happily it has been preserved on the Mid Norfolk Railway. Having gone for the prototype instead of the production model it wasn't much of a further step to paint it maroon. I could have done the same with a production FK, with the exception (I think) of the rather natty grey underframe.
EDIT: I just noticed that one of the '1's has come off the door on the compartment side
The kit comes with no interior so I decided to make my own. At the time I started it the moulded seating was unavailable so I got my own seating made using 3d printing. This has the advantage of being made to the correct width so there is no mucking about cutting it to length. The interior itself has a floor of 15 thou black plastikard and partitions cut from 20 thou white plastikard. I considered printing the corridor partition on acetate but I didn't have any of the right stuff for my printer, which in any case is playing up at the moment so I decided it would be just as quick to do it the old fashioned way. I cheated a bit by cutting every opening all of the way to the top and then adding a separate strip across the top, which is where the pelmet for the sliding door would be.
The thickness of the clear sides of Fleetline kits makes them less than ideal for interior detail partly because there is less room available than there ought to be and partly because they cause a prismatic effect that distorts the view of the interior. The first problem is solved by making the whole interior narrower than it should be. The second was solved (partly at least) by removing the passengers after I took the photos because they made the distortion really obvious. Still it wouldn't be the first empty first class coach that I've ever seen. The curtains are cigarette paper coloured with watercolour and then stuck inside the glazing.
The paint job was… err… entertaining and having decided on maroon it was a case of 'in for a penny'. I experimented by trying to get thinner lines than on previous coaches and this worked really well. Wrapping the lining around the ends was a bit of a conundrum. In the end I used the bow compass to offset from the buffer cowling underneath each corner. This idea would have worked really well if I'd planned it earlier - then I could have made sure that the cowling was actually properly level so that it would have made a better datum. As it is some of the corner lines are less than 100% level and a bit wobbly in places but I'm quite pleased… at least with the better corners anyway. The transfers are Modelmaster from the NGS, except for the OHLE flashes which are Fox.
The real W13252 started life allocated to the 'Bristolian' with occasional weekend trips to Weston. I was thinking that I needed a hefty dose of modeller's licence to run this at St Ruth but it ran at Railex anyway… and then in answer to a question on the BRCS Yahoo group yesterday I found out otherwise. This turned up a photo on the rail-online web site that shows D1000 in maroon entering Plymouth from the west with W13252 as the second coach in the train. The headcode indicates the Cornish Riviera around 1965 so it seems that I need no modeller's licence whatsoever. As a bonus, the first and fourth vehicles are Hawksworth SKs so we also have a nice contrast between modern styling 1940s style and modern styling 1960s style.
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