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Bodging an SECR 6-wheel Brake Van - Part 7


SRman

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I have started to letter the SECR 6-wheel brake van. There is very little specific information available on the Internet regarding liveries and lettering, but from what I can glean, the SE&CR lettering for the period I want goes in the left hand lower corner and should be approximately one plank tall - I think mine might be a little oversized but it's all I have. They are PC Models pressfix transfers (currently available from HMRS).

 

 

 

One snippet I did pick up was that the SECR wagon grey was very similar to Great Western wagon grey, so my choice to use SECR grey on the earlier GW wagon builds seems to be vindicated.

 

 

 

I cannot locate any pictures of the brake vans in the period I want to model, but later photos show the "Goods Brake" lettering (some even show "Goods Break"). It was pure guesswork to put the lettering in the centre of the main side panels - someone will no doubt prove it to be wrong, now I have done it!

 

 

 

The "20 Tons" lettering seems to have been on the solebars, while the numbers (yet to be added) should be on the lower right of each side. Again, I'm not sure whether the numbers should also be repeated on the van ends or not, but it was the case with goods wagons.

 

 

 

SECR%206-wheel%20Brake%20Van%20Conversion%20-%2026%20cropped%20small_zps9d2mpi9b.jpg

 

 

 

SECR%206-wheel%20Brake%20Van%20Conversion%20-%2027%20cropped%20small_zpsttuat6gx.jpg

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"One snippet I did pick up was that the SECR wagon grey was very similar to Great Western wagon grey, so my choice to use SECR grey on the earlier GW wagon builds seems to be vindicated" - beautiful reasoning: I'm sure it's more convincing to be consistent than to be 100% authentic. I've seen a few exhibition layouts based on the Midland Railway running stock from different builders/painters - although there were many individually beautiful models, the variation in interpretation of crimson lake and also in the "strength" of the lining produced a jarring effect. (Notwithstanding any arguments about inconsistency of paint mixing in the works, effects of ageing/weathering, etc.)

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