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Edwardian GWR posters: An overview of sorts


I recently fell into a rabbit hole. I was looking for some Edwardian posters to stick on my station building, and ended up with pages of illustrated notes about GWR posters, poster boards and adverts.

 

I’m sharing them here in case it’s of use to someone. This first installment is about the posters themselves, with an emphasis on pre-grouping days. 

 

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My station building is modelled on the real one at Newbury. Pre-WW1 photos of Newbury show numerous GWR posters all around the building. Most are too fuzzy to make out, so I’ll be selecting and making my own posters. 

   

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Perusal of photos shows 2 overall types of GWR posters:

  1. The colourful pictorial travel posters, advertising attractive  destinations or new high-profile routes (e.g. top row above, issued 1899, 1903-11 period and 1921-29 period respectively).
  2. Stylistically simpler poster-size announcements of specific services and excursions in two or three tone colours (e.g. bottom row above, issued 1901, 1910, 1919 respectively).

The former are well-known and available from the trade, the latter tend to be overlooked although they actually appear to have been more numerous at stations. There were also smaller “flyer” style bills, though I haven't looked into those.

 

 

1. Pictorial posters 

 

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The GWR’s production of pictorial posters peaked in 1935 with 68 different posters (the other trendlines refer to media articles about posters). The graph is from Josef Thomson's PhD thesis on GWR posters. The thesis is focused on the posters’ “imagined landscapes”, but does provide some general info. 

 

 

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I looked for examples of posters from my main 1900-1914 layout period, but GWR posters come in a bewildering variety of styles and designs and I initially struggled to date them. Dates provided by online sellers are very unreliable. As I later found out, the above three are all Edwardian (first issued 1902, ca. 1908 and 1910 respectively). 

 

 

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Moreover, looks can deceive. For example, I would have thought that the arty Tenby poster above was 1920s/30s, but it was introduced in 1904. I spotted it at Bath Spa in this 1907 shot. 

 

 

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As a loose period indicator, I found that the name of the current General Manager sometimes – but not always - features at the bottom of posters, as seen here. It isn’t bullet proof, because some designs were used across the tenure of 2-3 GMs.  Here’s a roll call of GWR GMs: 

  • Grierson 1863-1887  
  • Henry Lambert 1887-1895  
  • J.L. Wilkinson 1896-1903  
  • James C. Inglis 1903-1911  
  • Frank Potter 1912-1919  
  • Charles Adlington 1919-1921   
  • Felix Pole 1921-1929  
  • James Milne 1929-1947  

 

 

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The GWR Magazine also on occasion showed recent posters, which helped dating them. The above three all featured in the May 1911 GW Magazine as “recent issues”, illustrating how widely different styles were in use at the same time.

 

 

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That said, there was a general evolution of style over time. Dates for these three are 1891, 1897 and the latter must be ca. 1902  (since General Manager Wilkinson is mentioned at bottom, and the style is William Tomkin who did a series with this lettering at that time).

 

 

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Moving on in time, above are examples from 1908; 1912-1919 (General Manager: Potter) and 1921-1929 (General Manager: Pole). The first two are in Alec Fraser’s “bubble” style (see below). 

 

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And lastly: 1932; 1937 (with Arian undertones!); 1947. The latter was the last pictorial poster made by the GWR.  

 

 

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The same design was sometimes used in series of posters. “Hunting Season” was issued in 1903, the others presumably around the same time. These are illustrated by William Tomkin who did a number of GWR posters in the late 1890s and 1900s. He was also commissioned by other companies, e.g. the LB&SCR.  

 

 

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Another major contributor to the GWR’s Edwardian posters was the artist Alec Fraser. His distinctive use of “bubble-style” lettering took off in the early 1900s and led to many posters in the years to come. These are all from the Inglis period (1903-1911).

 

 

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Some posters crop up particularly often in Edwardian photos, especially this famous example. It appears in a colour supplement of the June 1908 GWR Magazine, but could have been introduced earlier. 

 

 

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The double-size poster with the large diagonal “GWR” seen here at Dawlish Warren on the right and left (two different versions) also frequently appears in period photos. I haven’t found a good example, so will try to draw up one myself. 

 

 

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Some posters were clearly around for several years and re-employed or adapted. The one on the left advertises the upcoming 1906 opening of the Fishguard route. I found it again on Parcels Van No. 109, photographed when new in November 1909. The sentence “To be Opened in Summer 1906” has simply been deleted. 

 

      

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Seasonal posters can help set the time of year for a layout – or be avoided for the same reason! These are both in William Tomkin’s style. “Bank Holiday” is dated July 1903. “Xmas” is depicted in the May 1905 edition of the GW Magazine. 

 

 

2. Service- and excursion posters

 

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These simpler types of poster were very common and featured widely at Edwardian stations. The GWR publicity department had quite a pragmatic relationship with styles, but the “G.W.R.” header above was extensively used (Image: Getty Images, embedding permitted).

 

 

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That particular style seems to have first emerged during the Inglis period. These are issued 1907, 1908, 1908. Reds, blues, greens and blacks appear to have been the common colours. 

 

 

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The style seems to have been fairly longlived. E.g. ”Cork” was issued during the Adlington period (1919-1921). ”Foggy Weather” is a general disclaimer. It is marked Paddington but I have spotted it at a rural station. The poster on the right advertises the Travel Book during the Inglis period (1903-1911). 

 

 

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This one from the Inglis period (1903-1911) cropped up at Chipping Norton, illustrating how posters advertising general services - including luxurious ones - were distributed around the system and not just at the obvious big stations. 

 

 

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A crop from a photo of the newly built Lambourn station in 1910.  On the left are the common style posters yet again, advertising Southampton and the Channel Islands. Also ads for Paris and the Rhine. Branchline modellers can dream big with their posters! 

 

 

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Further along the platform at Lambourn in 1910: Posters advertise DN&SR services, excursions to Killaloe in Ireland and GWR sailings to Brest in Brittany. Does anyone know what the postcard-shaped items are - flyers perhaps? 

 

 

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A timetable in the “G.W.R.” style. Ironically I have struggled to find good examples of Edwardian station timetables. This one is 1908. The Penzance postcard appears to show numerous timetables  

 

 

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Posters advertising football or rugby specials can be recognised from a distance by the illustration of a ball. Here is one at Abingdon (no date), again with the widespread ”G.W.R” header.  

 

 

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These football and rugby specials have a different header style from the Abingdon one. They are dated 1909, 1909, 1912 and thus coexisted with the common type discussed above. 

 

 

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At some point after WW1 this new header and design became a common style, while the earlier ones faded. I haven’t seen examples of this style before 1920. This one is dated February 1929. The style can be seen in this post-1925 photo of Bath, which also features the 1920 Torquay ”palm tree” poster shown earlier. 

 

 

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Posters advertising particular services weren’t always simple designs. These are both from 1904. 

 

 

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The Edwardian era saw the “rebirth” of the GWR with many improvements to the system. The above posters illustrated in the July 1908 GW Magazine advertise some of them. Such posters can help determine the date of a layout, or lead to headaches if like me you are modelling an extended period of time! 

 

Will stop there. Notes on poster boards and adverts to follow. If anyone wants a link to my online album of GWR posters in larger resolution please let me know. They are mainly Edwardian with a few grouping ones. 

 

Edited by Mikkel

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62 Comments


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magmouse

Posted

What a terrific piece of work this is, Mikkel - and thank you for sharing it here. So useful, as well as interesting. And yes, please, I would love to have a link to your higher res files.

 

Nick.

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Welchester

Posted

The Abingdon photograph has an advertisement fore Dale, Forty pianos, a Cheltenham firm, which I am astonished to find still exists, but now manufactured in China.

http://daleforty.co.uk/

To continue the Cheltenham connection, have you come across Roger Wilson’s Go Great Western, a history of GWR publicity?
 

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Dave John

Posted

An impressive study. 

I see parallels with the advertising of the CR, it certainly seemed to follow popular fashion. 

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Annie

Posted

Wow Mikkel this is wonderful.  What a lovely treat for me to find this morning.

 

The timber built station building at Dawlish Warren displays a little modelled detail with its vertical rails or laths for mounting poster boards.

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Schooner

Posted

Hell fire, what a wonderful addition to our collective knowledge - thank you, and bleddy well done!

 

Delightful climate and natural beauties my ars-

 

:)

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stevel

Posted (edited)

What a magnificent piece of research, most useful to the Edwardian modeller.

Would love to have your file link.

 

Stephen 

Edited by stevel
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Simond

Posted

Thank you, Mikkel,

 

a most interesting diversion this morning!

 

a link to your file would be very much appreciated!

 

cheers

Simon

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Mikkel

Posted

Thanks all, nice if it is of use - or just general cheering up in the midst of European winter. I have sent a link to those who asked - let me know if you haven't received it.

 

9 hours ago, magmouse said:

What a terrific piece of work this is, Mikkel - and thank you for sharing it here. So useful, as well as interesting. And yes, please, I would love to have a link to your higher res files.

 

Nick.

 

There should be some posters in there for your use Nick, although unfortunately I haven't yet found a good image of those advertising sailings to France. Here's one for the opposite direction, Alec Fraser gone French:

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9 hours ago, Welchester said:

The Abingdon photograph has an advertisement fore Dale, Forty pianos, a Cheltenham firm, which I am astonished to find still exists, but now manufactured in China.

http://daleforty.co.uk/

To continue the Cheltenham connection, have you come across Roger Wilson’s Go Great Western, a history of GWR publicity?

 

That's a nice advert for Dale. It's addictive to spot posters and ads in station photos, once you start noticing them.  Thanks for the reference to Go Great Western, I hadn't seen that. Now on the wish list! There are also a couple of pictorial books on British Railway posters, though none seem to be specifically about the GWR.

 

 

8 hours ago, Dave John said:

An impressive study. 

I see parallels with the advertising of the CR, it certainly seemed to follow popular fashion. 

 

Thanks Dave, yet another aspect of this great hobby. Edwardian railway posters really are delightful. It seems some of the artists worked on commission for several companies. William Tomkin mentioned above also did this LB&SCR poster:

 

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Andy Keane

Posted

It would be really useful if one of the companies that make pre-printed posters would pick up this wonderful collection of images and make them more widely available ready printed.

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gwr517

Posted

I had been working on various models through the day in both 4mm GW and Sn3.5 my other interest and your blog has been the best reviver a modeller could have. I worked for years as a paper conservator and have seen many fine posters from our modelling era but your presentation is really wonderful. A real insite into Edwardian and maybe later railway posters.

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Mikkel

Posted

8 hours ago, Annie said:

Wow Mikkel this is wonderful.  What a lovely treat for me to find this morning.

 

The timber built station building at Dawlish Warren displays a little modelled detail with its vertical rails or laths for mounting poster boards.

 

Thanks Annie. The battens on which poster boards were mounted are very prominent on some GWR stations at the time. They were also for enamel adverts, which were typically positioned above the GWR's own posters. I've got some more photos and details on that, will include them in the next blog post. 

 

 

7 hours ago, Schooner said:

Hell fire, what a wonderful addition to our collective knowledge - thank you, and bleddy well done!

 

Delightful climate and natural beauties my ars-

 

:)

 

Thanks Louis, well advertising has always been prone to exaggeration 😄 And to employ the "male gaze"! I suppose the reference to "natural beauties" is an Edwardian way of saying what couldn't be shown directly. Later that changed, I had to smile when comparing this 1906 and 1947 version of the "Holiday Haunts" booklet:

 

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3 hours ago, stevel said:

What a magnificent piece of research, most useful to the Edwardian modeller.

Would love to have your file link.

 

Stephen 

 

Thanks Stephen. Posters is one of those things I hadn't given much thought until I started looking. The ready-made ones available from the trade are mostly post-grouping, so I'm reducing some of the above to 4mm scale and printing them. It does require a decent printer though, for best results.

 

 

2 hours ago, Simond said:

Thank you, Mikkel,

 

a most interesting diversion this morning!

 

a link to your file would be very much appreciated!

 

cheers

Simon

 

Cheers Simon, some of those in the album should be fine for 7mm use - although they are mostly Edwardian. Unless Porth Dinllaen is moving back in time...

 

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Mikkel

Posted (edited)

12 minutes ago, Andy Keane said:

It would be really useful if one of the companies that make pre-printed posters would pick up this wonderful collection of images and make them more widely available ready printed.

 

I wouldn't be surprised if that happened, Andy - as far as I can see some of those companies have done their enamel adverts by picking examples directly off the web 🙂 I am not personally a fan of the ready-made posters printed on photographic paper, even when varnished they still tend to look like photos in my opinion - but they do give fine detail of course.

 

 

9 minutes ago, gwr517 said:

I had been working on various models through the day in both 4mm GW and Sn3.5 my other interest and your blog has been the best reviver a modeller could have. I worked for years as a paper conservator and have seen many fine posters from our modelling era but your presentation is really wonderful. A real insite into Edwardian and maybe later railway posters.

 

Thank you Douglas. It was a pleasure to find and select the posters. Interesting that you worked as a paper conservator, I have been wondering how durable the posters were. Many do not seem to have been protected from the elements.

 

Edited by Mikkel
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David Bigcheeseplant

Posted

Do you have any examples of 1850/60s posters, as I would like to incorporate them on my renders of Wycombe & Thame. In the book Memoirs of a station master in the Thame chapter a lady comments on the bright posters adorning the station. 

David

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drduncan

Posted

@Mikkel What a fantastic contribution.  I would urge you to turn such impressive work into an article - perhaps for the GW Study Groups ‘Pannier’ journal if you are a member, or elsewhere. Maybe MRJ? The research deserves both the audience and recognition.

 

Id love to learn more about these and especially any you’ve discovered that are pre 1892…

 

Regards,

 

Duncan

 

 

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Nick Gough

Posted

The photo of Abingdon will be prior to the new station building of 1909.

 

The original (as shewn) was badly damaged in an accident, the previous year, when a goods train ran into passenger coaches at the buffer stops.

 

Would you please let me have a link to your file Mikkel?

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Keith Addenbrooke

Posted

As others have already commented, thank you @Mikkel for sharing your findings - a fascinating piece on social history as much as anything.

 

A couple of stand-outs for me: the XMAS poster dating from 1905 - just for anyone who thinking the term ‘XMAS’ is modern shorthand!

 

And the Cornwall / Italy comparison poster from 1908 (or earlier): a touch of ‘variety hall humour’ is not what I’d have expected on an Edwardian era GWR poster.

 

We live and learn, Keith.

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Mikkel

Posted (edited)

12 hours ago, David Bigcheeseplant said:

Do you have any examples of 1850/60s posters, as I would like to incorporate them on my renders of Wycombe & Thame. In the book Memoirs of a station master in the Thame chapter a lady comments on the bright posters adorning the station. 

David

 

The first pictorial GWR posters weren't made until the 1870s. So if the Thame ones were GWR posters they would probably have been simple non-pictorial ones - perhaps on coloured paper? Here's what Thomson's PhD says (page 108): 

 

"The listing of GWR posters by Somers Cocks dates the earliest of the GWR's pictorial posters 1879, although it is generally accepted that 1897 saw the first example that was sufficiently removed from the letterpress bills of the nineteenth century to warrant the term pictorial poster." 

 

[Edit: I wonder if "1897" should be 1891, date of the Guernsey poster above].

 

Alternatively, the lady could be referring to general advertisment posters, rather than GWR ones. These were quite numerous in the Victorian era, I believe.

 

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Edited by Mikkel
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Mikkel

Posted (edited)

12 hours ago, drduncan said:

@Mikkel What a fantastic contribution.  I would urge you to turn such impressive work into an article - perhaps for the GW Study Groups ‘Pannier’ journal if you are a member, or elsewhere. Maybe MRJ? The research deserves both the audience and recognition.

 

Id love to learn more about these and especially any you’ve discovered that are pre 1892…

 

Regards,

 

Duncan

 

Thanks Duncan. Some more work would be needed to do a proper article, I think. I'm afraid it's a step too far for me at the moment, especially because it would remind me a bit too much of my day-job 🙂

 

Pre-1892 is tricky. As mentioned above there were few pictorial posters at that time. Mostly it would be the simple un-illustrated style.

 

I understand that the NRM at York have the following publication: John Somers Cocks, “A Survey of Great Western Railway Pictorial Posters, 1879 -1947,” unpublished typescript (National Railway Museum, York, 1993), 25 pages.

 

 

12 hours ago, Nick Gough said:

The photo of Abingdon will be prior to the new station building of 1909.

 

The original (as shewn) was badly damaged in an accident, the previous year, when a goods train ran into passenger coaches at the buffer stops.

 

Would you please let me have a link to your file Mikkel?

 

Thanks for that Nick, some of these photos are interesting "time puzzles". In the future when trying to date a station photo I will now also look for clues in the posters.

 

 

5 hours ago, Keith Addenbrooke said:

As others have already commented, thank you @Mikkel for sharing your findings - a fascinating piece on social history as much as anything.

 

A couple of stand-outs for me: the XMAS poster dating from 1905 - just for anyone who thinking the term ‘XMAS’ is modern shorthand!

 

And the Cornwall / Italy comparison poster from 1908 (or earlier): a touch of ‘variety hall humour’ is not what I’d have expected on an Edwardian era GWR poster.

 

We live and learn, Keith.

 

Thanks Keith, I hadn't thought about that early use of XMAS - interesting!

 

Regarding the Cornwall/Italy comparison, the GWR seem to have been quite pleased with that one. Later (Potter period, i.e. 1912-1919) they did what I believe is called a "call-back" in Stand Up comedy (joke referring to a previous joke):

 

IMG_0710(1).JPG.554d9df788171a0d5a7ce6c48f7f04cc.JPG

 

Edited by Mikkel
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gwr517

Posted

Mikkel, You have asked a question the has a hugh answer. Most paper from the Edwardian era is acidic, except for artists watercolour paper which is hand made. If I were collecting these posters thay would all be deacidified and then framed or stored to museum standards. They were all printed in an era that was quickly changing forever and paper making was becoming more mechanised and the quality suffered. I have restored hundreds of prints like these though I never had the pleasure of working on Railway subjects. With any archival material storage conditions are the key to longevity. Again thank you for sharing your finds.

Douglas.

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David Bigcheeseplant

Posted

11 hours ago, Mikkel said:

 

 

Alternatively, the lady could be referring to general advertisement posters, rather than GWR ones. These were quite numerous in the Victorian era, I believe.

 

 

 

 

Yep that's probably what she was referring to. Is there any source of information to these general advertisement posters, or even enamel signage when did these come in to use.

 

David 

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Mikkel

Posted (edited)

On 09/01/2025 at 07:32, gwr517 said:

Mikkel, You have asked a question the has a hugh answer. Most paper from the Edwardian era is acidic, except for artists watercolour paper which is hand made. If I were collecting these posters thay would all be deacidified and then framed or stored to museum standards. They were all printed in an era that was quickly changing forever and paper making was becoming more mechanised and the quality suffered. I have restored hundreds of prints like these though I never had the pleasure of working on Railway subjects. With any archival material storage conditions are the key to longevity. Again thank you for sharing your finds.

Douglas.

 

Thank you Douglas. When I first started looking at Edwardian period photos I thought that the pictorial ones would probably be used mostly under canopies and inside, in order to protect what I thought might be relatively expensive colour prints from the elements.

 

But photos such as the one at Dawlish Warren (shown here in full) suggests that this wasn't much of a concern. Note the consist of the train by the way, a subject worth modelling!

 

IMG_1551.JPG.106ae65184aaf3d151321381d1143684.JPG

 

 

On 09/01/2025 at 09:45, David Bigcheeseplant said:

Yep that's probably what she was referring to. Is there any source of information to these general advertisement posters, or even enamel signage when did these come in to use.

 

David 

 

I haven't looked into the Victorian advertisement posters myself. I was tempted by the book below. If you look at the photo of its list of contents on ebay here it seems to include Victorian days (but I decided to spend the funds on railway books instead).

 

s-l1600.jpg.5182bc30c792083a12dfba04b559a2b8.jpg

 

For enamel adverts, there are various sites describing the history for collectors etc, e.g. this one gives an overall history.

 

Edited by Mikkel
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Siberian Snooper

Posted

Nice to see a C set, 6w van, 6w third, 6w compo, 6w compo, bogie third, 6w van.

 

 

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Mikkel

Posted (edited)

Thank you, I hadn't spotted that. I am always confused by the prefixes for standard coach formations, because if I understand correctly they changed over the years (and between divisions?). For example, Stephen Williams in GW Branchline modelling vol 2 gives examples from GWR coach working diagrams. These describe the above formation as a B set in 1911, while in in 1922 a B-set is something different and the formation above is now an "M set" of 6-wheelers.

 

But that is perhaps only for branches. I really need to find a detailed book on this subject, but am not sure there is one that covers the Edwardian period?

 

Edited by Mikkel
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Siberian Snooper

Posted

It's correct for Devon and Cornwall, not sure for other areas, as you say different divisions different set definitions.

 

There was going to be a division by division series in the GWJ of the sets, but they only did the London division.

 

 

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Dana Ashdown

Posted

Belated thanks for this Mikkel, you’ve certainly assembled a fascinating collection of posters!

 

I think your confusion about the 1904 Tenby poster is that it is in the turn-of-the-century Art Nouveau style, rather than the Art Deco of the 1920s/30s. Experts feel free to correct me, but the Art Nouveau style was based on naturalistic/organic designs, whereas Art Deco was, I think, more geometric in execution.

 

The 1911 poster for service from Birkenhead/Birmingham to Holland and Germany via Flushing is interesting, as its by way of the new direct Great Western/Great Central joint-line into London, and thence onto the South Eastern & Chatham for Dover (presumably). No slow trains through Reading!

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