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Forecourt gates & the Abbey Woods


wenlock

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I outlined the construction of the forecourt gates in a previous blog entry http://www.rmweb.co.uk/community/index.php?/blog/1131/entry-18977-signs-gates/ , these have now been installed on the layout. 5 minute epoxy resin was used to fix the posts into position and then various scatters and fibres from the Green scene range were used to blend them into the landscape.

 

Forecourt gates in position on layout
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I'd always planned that the exit of the private siding from the layout would be masked by it passing through a gate and then running through woodland at the right hand baseboard end. I started by installing the private siding gate in position and then built a fence from square section Evergreen strip and E Z line elastic thread http://www.modelsrgo.co.uk/ez-line.html

 

Private siding gate and fence
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Some tall trees were constructed using a wire armature as described in this blog entry http://www.rmweb.co.uk/community/index.php?/blog/1131/entry-17699-trees/ and then planted against the backscene using PVA.

 

Background trees
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Wire armatures were then made in progressively decreasing heights to simulate the smaller trees and saplings that grow around the edges of woodland. These were once again "planted" into the landscape using PVA.

 

Small tree and sapling armatures
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Polyfibre was then used to simulate fine branches by teasing it out into a fine mesh and then spraying with matt brown aerosol acrylic paint.

 

Polyfibre
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Foliage was then added using scatters from the Greenscene range held in position using aerosol clear, matt, acrylic varnish.

 

Greenscene foliage
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I like the idea of some buildings appearing above the hedgerow at the right hand end of the layout to suggest that the town of Sherton Abbas lies about half a mile away from the station site. Sherton Abbas is inspired by Thomas Hardy's re imagining of Sherboure and has a rather magnificent abbey which dominates its skyline, so a representation of this would help to give a sense of place and a reason for the layout's name. I trawled the internet to find a suitable image that I could use to judge the size and perspective of the building in relation to the the layout. Most images that I found are taken from the abbey grounds and so the perspective is from a low view point with the abbey looming above the viewer which unfortunately doesn't look right on the layout. I found one picture however taken from a distance and an elevated viewpoint that in my opinion seemed to fit the bill so I printed it off a copy to place against the layout's backscene.

 

I used scissors to roughly cut the building away from its background and tucked it behind the hedge at the end of the layout to see how it fitted in with the rest of the modelling. I quite like the effect, but would appreciate any thoughts about the size, height, position of the building and whether or not it adds to the scene! :-) The next couple of images are of the cutout building in situ.

 

Cut out of Sherbourne Abbey in situ on the layout.
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Looking forward to reading your views.

 

Best wishes

 

Dave

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There is always an anticipation of delights to come when I see a Wenlock entry is the "recent blogs" section of the home page and this blogette is as welcome as all of those which have gone before.

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Gets better every time you post some new pics.  Very neat way of hiding the private sidings - I just hop that you don't have a 'gategate' while shunting (although it would be realistic).

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Lovely. What backscene ?  It doesn't look like a backscene from here. Just looks like it all rolls naturally on into the distance towards the abbey...... 

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Excellent work Dave the bits of woodland is very effective. The church looks quite effective. I do wonder whether only the tower should be visible as though the whole village is in a dip or whether a hint or two of other rooves might indicate more of a village. Trouble is I wouldn't want you to spoil it trying to much.

I am really looking forward to seeing this at Taunton. If you want any help on the day let me know. I might bring something along if running rights might be permitted in the quiet moments. Is it all DCC now.

Don

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Lovely work as ever Dave

 

I like the Hardy connection with the Sherton Abbas name and the abbey.

 

Next instalment awaited....

 

Cheers,

 

Mark

 

*Just need a Bathsheba and Gabriel Oak.......

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There is always an anticipation of delights to come when I see a Wenlock entry is the "recent blogs" section of the home page and this blogette is as welcome as all of those which have gone before.
Thanks Graham, really glad you're enjoying it :-)

 

Wow! Really stunning work. :)
Thanks Moley:-)

 

Very nice! I think the building looks just right.
Thanks Yorkshire, good to hear you think the building fits in ok:-)

 

Gets better every time you post some new pics.  Very neat way of hiding the private sidings - I just hop that you don't have a 'gategate' while shunting (although it would be realistic).
Thanks Mike, I'm sure the gate will get clouted once in a while, but a least it should be cheaper to fix than the real thing!:-)

 

Lovely. What backscene ?  It doesn't look like a backscene from here. Just looks like it all rolls naturally on into the distance towards the abbey......
Delighted that you think so Dave!:-)

 

Excellent work Dave the bits of woodland is very effective. The church looks quite effective. I do wonder whether only the tower should be visible as though the whole village is in a dip or whether a hint or two of other rooves might indicate more of a village. Trouble is I wouldn't want you to spoil it trying to much.I am really looking forward to seeing this at Taunton. If you want any help on the day let me know. I might bring something along if running rights might be permitted in the quiet moments. Is it all DCC now.Don
Thanks Don, looking forward to seeing you again at Taunton:-) I've been playing around with different heights and extra building cut outs since I took the blog pictures, a bit of experimentation is planned:-) Do bring along some stock to Taunton, as it stands I've only got my 517 chipped so seeing something else run would be lovely!:-)

 

Lovely work as ever Dave I like the Hardy connection with the Sherton Abbas name and the abbey. Next instalment awaited.... Cheers, Mark *Just need a Bathsheba and Gabriel Oak.......
Thanks Mark, I wonder what the illustrious Mr Hardy would make of my trains:-)

 

Absolutely stunning work, always a pleasure to see your progress.Grahame
Thanks Grahame, really glad you're enjoying the progress:-)
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Ok Dave I will be pleased to bring something along.

Don

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Ok Dave I will be pleased to bring something along.

Don

 

Excellent, it should be a really good day:-)

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Maybe, just, maybe, it fits that gap a bit too perfectly and might look a little more natural if it were partly obscured by the trees on the right.

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A great piece of work. Extremely  realistic and an inspiration to the rest of us struggling with scenery. You can almost hear a church bell in the distance!

 

Cheers just now,

 

Jim.

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Maybe, just, maybe, it fits that gap a bit too perfectly and might look a little more natural if it were partly obscured by the trees on the right.

 

A bit of "tweaking" has taken place since the pictures and you may very well be right!:-)

 

 

Magnificent modelling as always Dave. I always look forward to reading your blog entries.

 

Best regards,

 

Jeremy

Thanks Jeremy, glad you're enjoying it! 

 

Best wishes

 

Dave

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Splendid modelling as always and thank you for the details on how you made the foliage.  Others have commented on the Hardy connection so, perhaps, you should add a 'darkling thrush' on the branches :)

 

Mike

 

p.s. with sound?

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A great piece of work. Extremely  realistic and an inspiration to the rest of us struggling with scenery. You can almost hear a church bell in the distance! Cheers just now, Jim.
Thanks Jim, glad you found it inspiring:-)

 

Splendid modelling as always and thank you for the details on how you made the foliage.  Others have commented on the Hardy connection so, perhaps, you should add a 'darkling thrush' on the branches :) Mike p.s. with sound?
Thanks Mike, I'll get whittling a darkling thrush, not sure quite where to stick the sound chip!:-)
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Fantastic work, and reflected by the sheer amount of positive comments on this blog! I'm also looking forward to seeing this at Taunton.

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Fantastic work, and reflected by the sheer amount of positive comments on this blog! I'm also looking forward to seeing this at Taunton.

 

Thanks Captain, lets hope it behaves itself as it's never left the sanctuary of my workshop!:-)

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Dave, most layouts - including finescale ones - have strenghts and weaknesses. Sherton Abbas only has strenghts.

 

It's a delight to watch it grow. This time I'm particularly struck by the effect of the gates - both in the forecourt and at the private siding. They have a notable visual effect for such a modest feature (in a positive way, I mean).

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Dave, most layouts - including finescale ones - have strenghts and weaknesses. Sherton Abbas only has strenghts.
Thanks Mikkel, delighted you think so! There are of course aspects of the layout that I'm not 100% happy with, but generally it's heading in the right direction:-)

 

This time I'm particularly struck by the effect of the gates - both in the forecourt and at the private siding. They have a notable visual effect for such a modest feature (in a positive way, I mean).
Glad you like the gates, I'm quite pleased with the posts on the forecourt ones. Initially I planed on just using proprietary offerings but making something a little different from the norm does help to add a sense of place.Best wishesDave
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