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When in danger or in doubt... Progress on the fourth bite


Mikkel

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When in danger or in doubt, get the model railway out. The fourth layout in the Farthing series is taking shape, a welcome relief from the lockdown blues.

 

 

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Above is a reminder of the trackplan. So complicated that it broke Templot. Only very advanced modellers can do that.

 

 

 

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A test piece to see what the new Peco Bullhead track is all about. I decided to give Peco a go as a change from handbuilt track. The chairs are wrong for GWR, will be interesting to see how much I notice it. 

 

 

 

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One advantage of the new Peco track is that it’s voice controlled.  You simply tell it where to go and it will lay itself.

 

 

 

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The layout will be operated as a micro on a daily basis, but I may add a further module for extended operation, or even a direct link to my "Old Yard" layout.

 

 

 

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The rear siding therefore extends to the baseboard edge, and is protected by a removeable buffer stop, knocked together from balsa in the stopgap style of the old N&SJR.

 

 

 

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The other stops are standard GWR, built from the Lanarkshire Models kit. In order to fit them on the Peco track, I had to carve off most of the chairs. Have others found a better solution?

 

 

 

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For replacement, I dug into my stash of C+L GWR chairs. Ironic, as I now have proper GWR chairs next to the Peco ones. Maybe I should slice up some Peco chairs and fit them instead. What a cruel close-up by the way, I need to get out the filler.

 

 

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I wanted some sort of 'inset' track for the front siding. Photos suggest that while proper inset track was certainly used in some GWR yards, more pragmatic solutions were preferred when feasible. This includes leaving the four foot unpaved, as seen in the bottom three photos here (all heavily cropped).  That seems to have been a favoured solution where cartage vehicles needed firm ground to off-load or pass alongside the rails, but didn’t have to cross them. I haven’t seen this modelled much, so gave it a go.

 

 

 

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The outer sections of the sleepers were cut off to avoid the chairs fouling the paving. At this point I was seriously wondering why I hadn’t just made my own track! Here, DAS is being applied to the four foot.

 

 

 

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The rail was raised slightly above the edging stones to allow for track cleaning. Partly modeller's license, but also in compliance with one or two prototype photos.

 

 

 

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While not as elegant as proper inset track, I like how it creates a visual break in the setts.

 

 

 

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The setts were made using old paintbrush heads, fashioned to shape. 

 

 

 

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The material is Forex, a.k.a. ’foamed PVC’ but apparently now without the PVC. The technique also works in DAS clay. The photo is a bit misleading as I used a ruler while pressing the setts, in order to ensure straight lines.

 

 

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A scriber was used to individualise a few setts and sort out mistakes.

 

 

 

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The material can be curved slightly if necessary.

 

 

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The method has pros and cons. You tend to get a fairly uniform look and it’s hard to avoid the occasional gap between the grooves when pressing down the brush heads. But with practice I found it speedy and tidy, and I like that it can be done away from the layout – especially as I have to work in our living room.

 

 

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Drainage channels were made by drawing a screwdriver tip along a ruler…

 

 

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…then pressing in setts as appropriate.
 

 

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This drainage channel was done differently, by simply pressing the setts deeper than the surrounding ones.

 

 

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The ground in front of standard GWR stable blocks was often paved with either cement or bricks. I went for red bricks, forgetting that one drawing I have says blue engineering bricks (better quality). I may repaint them, but then again I may not.

 

 

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For the entry to the goods depot, I used a Green Scene roller on blue foam as described in my workbench thread.

 

 

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The arched setts are a nod to the yard at Birmingham Moor Street. The Pooley & Sons weighbridge is a Scalelink etch. The weighbridge office is a temporary mock-up. 

 

 

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 The flagstone pavement was done using the same Forex material as the setts, with the kerbs and flagstones lined out in pencil and then scribed.

 

 

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My original plan was that the road the front would be laid with setts, but after encountering this thread I began to examine photos and realized that 1900s urban roads were very often laid with various forms of non-tarred macadam or similar.

 

 

 

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Here is Worthing South Street, captioned ca. 1900-1920. Even some parts of central London had streets like this. Sometimes such roads had gutters paved with stone, at other times setts were used or there was no gutter at all. Copyright Getty Images, embedding permitted.

 

 

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Call me a romantic but I like the dry, light and almost ethereal appearance that such roads exhibit in certain summertime photos of the period. I used sanding paper, painted with Vallejo light sand and ivory. It still needs some weathering and a good smattering of horse dung!

 

 

 

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For the GWR spearhead fencing, the initial plan was to use an old Scalelink etch - but it's rather fragile for a position at the front of the layout. So I used the Ratio GWR fencing. Photos suggest that the verticals should extend to the ground, beneath the lower horizontal bar. Never mind. The fencing sometimes had supports, may add those in due course.

 

 

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I wanted the fencing to be detachable, to allow for close-up photos and easy replacement if I break something. So far it rests in a groove lined with blue tack. If that proves a botch too far, I could try micro magnets. 

 

 

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Some stations - e.g. Minehead – had a lovely display of enamel signs mounted on the spearhead fencing.  I used those from Tiny Signs, cut with a scalpel, varnished twice and edged with a brown marker (in that order, otherwise the marker may discolour the sign).
 

 

 

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The signs act as view blocks, and also help draw in the eye to what will become a staff entrance. 

 

 

 

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Here’s Charlie the horse admiring the adverts. He looks a bit out of focus. It must be the provender. In his opinion, the GWR always did mix in too much bran.

 

 

 

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Work to be done includes a scratchbuild of a GWR weighbridge office (the mock-up seen here is the old Smiths kit), and one or two other structures. The elevated rear section of the layout is a whole little project in itself,  I'm hoping it will add further depth to the scene.

 

 

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Lastly, an overview shot. It’s all wired up, but I can’t operate it without a traverser. So that’s next.
 

 

Edited by Mikkel

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2 hours ago, kitpw said:

Mikkel - there was Jo, the crossing sweeper in Dickens' Bleak House.  It started a "genre" of paintings and prints of similar characters - see William Powell Frith's 'The Crossing Sweeper' (I don't seem to be able to log into the British Museum website this morning so can't reproduce a print of it here with commons license):  a tiny section of crossing exactly like the ones you illustrate above appears in the bottom right hand corner of the picture.  I believe the sweepers were unpaid, relying only on tips.

Kit PW

For period descriptions and interviews with some of these characters I highly recommend reading ‘London Labour and the London Poor’ by Henry Mayhew. One of the most interesting books I have ever read. Everything you will ever wonder about the lives of the labouring classes in London in the mid 19th century.

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The ground in front of standard GWR stable blocks was often paved with either cement or bricks. I went for red bricks, forgetting that one drawing I have says blue engineering bricks (better quality). I may repaint them, but then again I may not.

 

How did you produce these? From sheet, or scribing?

For the blue, you could try drybrushing ultramarine or similar, rather than repaint the whole lot.

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Was just thinking the other day you had been quiet Mikkel ;)

 

What a cracking comeback post! A thoroughly enjoyable read over my lunch and thanks to share all those techniques - It looks fabulous.

 

The pic with the setts, pavement and drain is superb :swoon:

 

Look forward to the next post on the traverser... :good:

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Lovely workmanship as ever, and nice touches of surreality to lighten things up. I see that you intend to work it as a stand-alone, is there any detail about what form your headshunt takes, attachment and so on?

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10 hours ago, kitpw said:

Mikkel - there was Jo, the crossing sweeper in Dickens' Bleak House.  It started a "genre" of paintings and prints of similar characters - see William Powell Frith's 'The Crossing Sweeper' (I don't seem to be able to log into the British Museum website this morning so can't reproduce a print of it here with commons license):  a tiny section of crossing exactly like the ones you illustrate above appears in the bottom right hand corner of the picture.  I believe the sweepers were unpaid, relying only on tips.

Kit PW

 

Thanks Kit, I found Powell's painting online. Also some period photos. This lad looks like a suitable candidate for Farthing, I think I have one or two Andrew Stadden children that could be modified. Obviously I'll also have to model a crossing then!

 

5078696800_b5c3034755_o.jpg.0aac9b6de84a942a250da6b2704a248d.jpg

Source: https://www.flickr.com/photos/nationalarchives/5078696800/. "This image is from the collections of The National Archives. Feel free to share it within the spirit of the Commons".

 

 

7 hours ago, 5&9Models said:

For period descriptions and interviews with some of these characters I highly recommend reading ‘London Labour and the London Poor’ by Henry Mayhew. One of the most interesting books I have ever read. Everything you will ever wonder about the lives of the labouring classes in London in the mid 19th century.

 

Thanks Chris, I see it is also mentioned in the reference section of this page about crossing sweepers (there is even a link to a Google extract from the book). 

 

https://www.wikiwand.com/en/Crossing_sweeper

 

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8 hours ago, Regularity said:

 

How did you produce these? From sheet, or scribing?

For the blue, you could try drybrushing ultramarine or similar, rather than repaint the whole lot.

 

Just from sheet. They are Slaters' 4mm brick red plain bond. Note: Your question prompted me to take a looking glass to the fine print on the reproduced drawings in my books. It looks as if the blue bricks were "on edge" around the outer perimeter of the paving (and in drainage channels), while the main part of the paving just says "blue brick" which I suppose implies "not on edge". In principle my Slaters paving is all on edge, though I'm not sure it makes much visual difference.

 

Thanks for the drybrushing idea, I might just try that.

 

7 hours ago, bcnPete said:

Was just thinking the other day you had been quiet Mikkel ;)

 

What a cracking comeback post! A thoroughly enjoyable read over my lunch and thanks to share all those techniques - It looks fabulous.

 

The pic with the setts, pavement and drain is superb :swoon:

 

Look forward to the next post on the traverser... :good:

 

Thanks Pete, hope you had something good for lunch! Yes modelling has been a bit slow this winter, too much work is no fun for Jack! :crazy_mini:

 

5 hours ago, Northroader said:

Lovely workmanship as ever, and nice touches of surreality to lighten things up. I see that you intend to work it as a stand-alone, is there any detail about what form your headshunt takes, attachment and so on?

 

Thanks Northroader. The headshunt will be the traverser. It will serve the two levels following Stu's suggestion, which I've sketched like this:

 

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This morning I worked on the design and decided to incorporate it into a more sturdy mk2 of my "Bumblebee" traverser.

 

Edited by Mikkel
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13 hours ago, Mikkel said:

 

Thanks Kit, I found Powell's painting online. Also some period photos. This lad looks like a suitable candidate for Farthing, I think I have one or two Andrew Stadden children that could be modified. Obviously I'll also have to model a crossing then!

 

5078696800_b5c3034755_o.jpg.0aac9b6de84a942a250da6b2704a248d.jpg

Source: https://www.flickr.com/photos/nationalarchives/5078696800/. "This image is from the collections of The National Archives. Feel free to share it within the spirit of the Commons".

 

Mikkel,

Stop me if I have said this before.  This lad is on the cover of the first editions of 'Grandfather's London'.  It is a brilliant book full of pictures of ordinary people plying their trade, mainly in the Greenwich area of London in 1875.  I love this picture, as I know this lad.  I was brought up with people like him.  (Eighty years later and on the right side of the river, but still the same.)  

 

I am not sure my layout will have room for any of the characters, and even if I model the market square for my 009 layout it will have a market day in it, but just perhaps.

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Thanks Chris, so that is yet another book for the wish list. I see that the photo is from Clarence Street in Greenwich in 1885.  I think you really should model him for Traeth Mawr since he means something to you.

 

A search for 'crossing sweeper' in Google Images results in an amazing number of drawings and paintings. They were clearly a subject of much debate and mirth at the time.

 

There is also this photo, which you might like:  https://www.ebay.co.uk/itm/Tradesmen-In-Old-Ealing-Postcard-Crossing-Sweeper-with-Milk-Roundsman-V2260-/141675507206

 

Edited by Mikkel
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14 hours ago, Mikkel said:

They were clearly a subject of much debate and mirth at the time.

 

 

But we shouldn't forget their lives were utterly miserable. They were amongst the lowest of the working poor, often physically impaired and subject to the most cruel and degrading treatment. Dickens character Tom-all-alone is a sentimentally florid fictional example of one of hundreds of people whose real lives were truly grim.

 

Hey ho! sorry to be so depressing, last thing we need at the moment! Feel free to tell me to go away and cheer up (or words to that effect) ; )

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Quite right, it was no doubt a last resort and hardly much fun.

 

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Crossing sweeper, ca. 1900. Getty images. Embedding permitted.

 

 

On 14/04/2020 at 11:47, kitpw said:

 

On a related but much happier note I am enjoying diving into this publication.  For those interested in horse drawn cartage I noted:

 

"Vehicles on highways should carry lights after dark" (p21).  Now that would make for an interesting lighting project on an illuminated layout such as @Dave John's Kelvinbank.

 

And as referred to by Kit:

 

“Accumulations of manure are still a source of trouble to the sanitary department. It seems to be increasingly difficult for owners of horses to get rid of the manure, especially at certain seasons.” (p21).

 

I'm currently working on the latter :lol:

 

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Mikkel,

I assume that you know that in 1895 there was an international conference on, er, the problems with horses.  There was not enough fields to feed all the horses needed, and all the humans that needed them.  The other issue was how to dispose of the horse manure.  The problems went away with the rise of the motor car.

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Mikkel - for the real enthusiast, there is "The construction of carriageways & footways ... Boulnois, H. Percy (Henry Percy), b. 1846." at   https://babel.hathitrust.org/cgi/pt?id=mdp.39015062219434&view=1up&seq=1.  It reveals the extraordinary fact that some small stretches of road were paved with "indiarubber", notably outside the Euston Station as revealed in a cross-section drawing from the chief engineer of the London North-Western Railway Company (pages 83 and 84). I looked up this book because I was wondering whether the "crossings" were in fact introduced to prevent the gravel, shells and sand toppings from migrating too far from where they were put down - I couldn't find any reference to such a purpose so I guess they were "crossings" for crossing.  Boulnois gives details of their construction and much else besides.  I think I'll head for the workshop now and look at how to cut in a catch point where I should have put it in the first place - 

 

Curious what catches one's attention when the local library is unavailable together with pretty much everything else that isn't on line - although a hard copy of MRJ278 turned up today featuring Sherton Abbas.  It's currently quarantined on the hall floor.  

 

Kit PW

 

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Hmm, interesting challenge Mikkel. 

 

My horse drawn carriages do have lamps , but they are fitted with tiny jewels. these catch reflected light but to make them really light up would require a tiny led. 

 

I'l have a think . 

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11 hours ago, Dave John said:

...but to make them really light up would require a tiny led. 

 


Or fine fibre optic from a light source beneath the baseboard? Tricky but not impossible?

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15 hours ago, ChrisN said:

I assume that you know that in 1895 there was an international conference on, er, the problems with horses.  There was not enough fields to feed all the horses needed, and all the humans that needed them.  The other issue was how to dispose of the horse manure.  The problems went away with the rise of the motor car.

 

I had briefly heard about the manure part, didn't know that fodder was also a problem. So, a global conference about energy needs and waste problems. Sounds familiar!

 

14 hours ago, kitpw said:

Mikkel - for the real enthusiast, there is "The construction of carriageways & footways ... Boulnois, H. Percy (Henry Percy), b. 1846." at   https://babel.hathitrust.org/cgi/pt?id=mdp.39015062219434&view=1up&seq=1

 

Another excellent reference work! I liked the adverts too by the way. The section on "Selection of Paving Material" (p19 ff) is useful. I especially noted the following:

 

"It is found that where a horse has to travel for a few yards upon macadam, then upon stone setts, then upon wood, and, lastly, upon asphalte, or any combinations of these pavements, that accidents by falls are more likely to occur. Recent statistics have shown that in the city of Berlin there are half the falls now upon double the area of asphalted streets.

 

The class of property which abuts on a street should also to some extent guide the selection of the paving material. Stone setts may be very suitable for streets of ware-houses, but would be inexpedient for residential streets, especially where there might be hospitals, schools, or places of worship. The fact of the greater part of the streets in the West-end of London being verged with shops has been the cause of so much wood pavement having been laid down.

 

This consideration has led to the introduction of the hardest stone setts in our northern commercial cities, to the wood pavements of the West-end of London, to the asphalte of Berlin and Pesch, and to the park-like gravelled and macadamised roadways of the seaside health resorts which abound on our coasts."
 

The last two paragraphs may be worth keeping in mind for the modeller - although these are of course best practice recommendations and not necessarily a reflection of what was actually done in any given location!

 

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On 13/04/2020 at 09:04, Stubby47 said:

You said:

"You tend to get a fairly uniform look and it’s hard to avoid the occasional gap between the grooves when pressing down the brush heads."

 

Have you tried a two-sided embossing tool, so it's just one end and one side?

 

I have now had a go at this. Modifying the brush heads to this pattern proved difficult, because you have to remove two sides which compromises the structural integrity of the brush head, making it more fragile.  Once done I managed to do this:

 

IMG_20200421_082405601_HDR.jpg.9d8f8cb13dc64a09cee9d7aad8b2a738.jpg

 

Passing over it the second time resulted in this:

 

IMG_20200421_082638700_HDR.jpg.e26f065f913837281a64b20d0409ee3d.jpg

 

For the next row I varied with a shorter brush head:

 

IMG_20200421_082756102_HDR.jpg.ba014604fb210c4efd9f90462af937e3.jpg

 

As can be seen, alignment was quite difficult. In fairness the modified brush heads were not perfect and I did not spend time practising. Even so, I think this variant of the method would be harder to get neat. It would also take longer, as you have to go over each row twice.

 

But now I've tried it, noone learns through complacency :)

 

 

Edited by Mikkel
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Interesting results Mikkel.

 

I was expecting to only pass over each row once, though the 1st row would need a starting line to work against and a perpendicular line for one of the edges.

 

A line of 'L' shaped marks would the form each stone, using the previous row's marks.

 

LLLLLLLLLLL

LLLLLLLLLLL

((but without the spaces :) )

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I knew that of course, just testing to see if you're awake. Clearly I'm not!  :banghead:

 

Here's a rushed quick test. One side of the brush head has all but crumbled so this looks more like bricks - but there may be potential here. Will try again with better brush head later.

 

IMG_20200421_091147376.jpg.970e2e78a595b3fe9761628ab45444aa.jpg 

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On 17/04/2020 at 10:44, 5&9Models said:

 

But we shouldn't forget their lives were utterly miserable. They were amongst the lowest of the working poor, often physically impaired and subject to the most cruel and degrading treatment. Dickens character Tom-all-alone is a sentimentally florid fictional example of one of hundreds of people whose real lives were truly grim.

 

Hey ho! sorry to be so depressing, last thing we need at the moment! Feel free to tell me to go away and cheer up (or words to that effect) ; )

 

My Paternal Grandfather was very fortunate to escape from that environment. My cousin, our family archivist, told me that  my great-grandfather was (almost certainly) a bigamist, apparently not uncommon in Dockland ! G-F  had  a withered leg , we think due to polio, and used a single crutch and walking stick.  There is some doubt ( we think Banardo's was involved, but can find no record), but he somehow got trained as a tailor ( could not hold a cobbler's last between his knees.) He made Officers uniforms before and during WW1, later setting up as a Bespoke tailor which he did until he was in his mid to late seventies.  He was never "well-off" because -- as he put it -- he had a wife, nine children and three bookmakers to support!

 

 

 

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Hi Don, thanks for sharing that, such individual stories say a lot about an era and its people I think.

 

I wonder what they will  think about our time and us in the future. Perhaps best not to speculate too much about that! :)

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Lots of food for thought here for when I emerge from my current engine and carriage building phase.  There's something about that penultimate shot past the weighbridge - a 'less is more' effect that gives the imagination freedom to roam.

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Funny you should say that Mike, that view has made me rethink my original intention of having a photo backscene. I might just make a plain blue background (or none at all - the background you see in these photos is actually a white wall, the photos are directly from the mobile phone and only cropped).

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