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One morning long ago


Mikkel

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One morning long ago, an 1854 class shunted the Old Yard at Farthing.  

 

 

 

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The crew were slightly bored. Nothing much ever happened in the Old Yard. Just a handful of sidings.


 

 

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A carman (sic) watched them roll by, perched on his trolley (Birmingham pattern). The carmen at Farthing were famous for not using reins. 

 

 

 

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William Simmons was particularly skilled. Known as The Horse Whisperer, he worked without reins for 46 years and never had an accident. People did wonder why his rounds took so long. It turned out his whispers worked on women too.

 

 

 

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On the other side of the tracks, lad porter Herbert Pocket was busy cleaning the lamps.  

 

 

 

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Herbert had two goals in life: He wanted to drive locomotives, and he wanted to die like a hero.

 

 

 

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He was last seen in the Congo in 1924, hanging off the tender of a runaway loco. They say he was smiling.

 

 


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Meanwhile, porter Alfred Jingle watched the train draw closer.  The morning fog was thick as pea soup. He liked a good pea soup.

 

 

 

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As the wagons rolled past, Alfred tried to avoid eye contact with Thomas Grig up in the lamp. They hadn’t spoken since the lardy cake argument. They’d been friends for years, but you have to draw a line somewhere.

 

 

 

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Thomas, for his part, had other matters on his mind. A lamplighter for 26 years, he had so far scaled the lamps at Farthing 81.121 times.  He knew, because he counted. He counted, because secretly… 

  
 

 

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…Thomas had an intense fear of heights.

 

 

 

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When he finally retired, Thomas bought a one-storey cottage in Holme Fen, sawed the legs of all his furniture, and heaved a long sigh of relief.

 

 

 

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The train rumbled on through the pointwork. The unsheeted Open carried a shipment of Empty Promises. A local MP would pick it up later.

 

 

 

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Shunter John Redlaw changed the points to No. 3 siding.

 

 

 

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Known as "The Phantom" he had a manner of appearing from nowhere exactly when needed, only to disappear again as soon as the job was done.

 

 

 

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The loco propelled the wagons into the siding...

 

 

 

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... towards the covered goods dock. 

 

 

 

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Goods porter Samuel Slumkey watched the wagons approach. 

 


 

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As a veteran of the Red River Rebellion, the Urabi Revolt and the Sikkim Expedition, Samuel had travelled to the ends of the earth.

 

 

 

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It turned out, however, that the real edge of the world was right here in Farthing.

 

 

 

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As the train came to a halt, the porters prepared to put in some heavy work.

 

 

 

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Not Tom Roker though. Comfortably seated on his favourite barrow, he always found an excuse for not working. In fairness, whilst sat there thinking he invented a universal vaccine, a waterless crop, and an unlimited supply of clean energy. He never wrote it down though. He couldn’t be bothered. 

 

 


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As the crew prepared to pull back, George Rouncewell said good morning. Not to the crew, but to the loco. He often spoke to the locos.

 

 

 

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They all thought he was potty, but George had his reasons. He had worked ten years in the A shop in Swindon, before an errant bar of hot iron put a stop to it.

 

 

 

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So these weren’t just locomotives, they were old friends.  He would even order pints for them at the pub. And drink it all. On their behalf, you understand.

 

 

 

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Uncoupled, the loco backed away, leaving the wagons behind.

 

 

 

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As they drove off, bunker first, the driver said: “Staff here seem quiet today”.

 

 

 

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“Yep”, said the fireman, “Bit of a dull lot”.
 

 

***

 

PS: Most of the figures have been modified, some extensively. The captions are all true, only the facts have been changed.

 

 

Edited by Mikkel

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13 hours ago, Barry Ten said:

 

I'd seen somewhere that Dickens had something of an aversion to railways after being involved in/witnessing a serious accident?

 

13 hours ago, kitpw said:

Barry - Dickens was involved in a very serious accident in June 1865 - the Staplehurst railway accident.  See https://www.charlesdickensinfo.com/life/staplehurst-railway-accident/.

 

Kit PW

 

I didn't know that, thanks for the info. Sounds very dramatic. 

 

There's more here, including official photos and an extra twist on Dickens' companion...

 

https://dickensmuseum.com/blogs/charles-dickens-museum/scandal-at-staplehurst

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You have a wondeful imagination Mikkel not to mention the superb modelling.

 

Re. Pea Soupers, they were partly due to the results of burning so much coal. The particles included sulpherous elements  and there was also sulfur dioxide which gave a definite tinge  of yellowish green to the fog. The last really bad one was in 1952 I think so I heard about it as a small boy from family who were in it. It lasted for 5 days and is  estimated to have caused up to 12000 deaths.

Don

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Thanks Don. Yes, the pea soup fogs sounds quite dire. It also brings us back to Dickens. I understand that pea soup is also known as "a London Particular" because of a quote in Bleak House: 

 

Quote

A young gentleman who had inked himself by accident addressed me from the pavement and said, "I am from Kenge and Carboy's, miss, of Lincoln's Inn."

 

"If you please, sir," said I.

 

He was very obliging, and as he handed me into a fly after superintending the removal of my boxes, I asked him whether there was a great fire anywhere? For the streets were so full of dense brown smoke that scarcely anything was to be seen.

 

"Oh, dear no, miss," he said. "This is a London particular."

 

I had never heard of such a thing.

 

"A fog, miss," said the young gentleman.

 

"Oh, indeed!" said I.

 

We drove slowly through the dirtiest and darkest streets that ever were seen in the world (I thought) and in such a distracting state of confusion that I wondered how the people kept their senses...

 

Incidentally, elsewhere in Bleak House (chapter 55) Dickens writes the following  -  and surprisingly (to me at least) uses the term railroad :

 

Quote

Railroads shall soon traverse all this country, and with a rattle and a glare the engine and train shall shoot like a meteor over the wide night-landscape, turning the moon paler; but as yet such things are non-existent in these parts, though not wholly unexpected. Preparations are afoot, measurements are made, ground is staked out. Bridges are begun, and their not yet united piers desolately look at one another over roads and streams like brick and mortar couples with an obstacle to their union; fragments of embankments are thrown up and left as precipices with torrents of rusty carts and barrows tumbling over them; tripods of tall poles appear on hilltops, where there are rumours of tunnels; everything looks chaotic and abandoned in full hopelessness.

 

Along the freezing roads, and through the night, the post-chaise makes its way without a railroad on its mind.

 

Edited by Mikkel
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The Oxford dictionary suggests that the first (written) use of "railroad" was 1775 and described the wooden rail roads at collieries. As expected, the OED adds that it is now chiefly American usage.  There is a longish list of literary sources but one that caught my eye is the "Aylesbury & Thame Railroad bill" (Act of Parliament) 1838 so I guess the term was in common use here at that time. We do (or did) still use the term "platform roads" "road No 1" etc although it always sounds a bit archaic to me.

 

Kit PW

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The last Smog, in London was, I think, in 1962.  I remember because as a boy I had an orthodontic appointment, and I suppose because it was so thick the buses were not running so my mum and I walked all the way.  Probably about 40 minutes.  We could only see about 5 - 10ft in front of us, if that.  The Orthodontist said, "Why did you not cancel?" which pleased my mum no end.  I was ill the next day, I felt quite sick.

 

This is a long way from your picture, but the fog looked like that, but perhaps more grey.

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9 hours ago, kitpw said:

The Oxford dictionary suggests that the first (written) use of "railroad" was 1775 and described the wooden rail roads at collieries. As expected, the OED adds that it is now chiefly American usage.  There is a longish list of literary sources but one that caught my eye is the "Aylesbury & Thame Railroad bill" (Act of Parliament) 1838 so I guess the term was in common use here at that time. We do (or did) still use the term "platform roads" "road No 1" etc although it always sounds a bit archaic to me.

 

Kit PW

 

Searching for "rail" in Dickens' works seems to illustrate the co-existence of railroad and railway  in the language at the time. In the quote below from Dombey & Son (written 1846-48), the narrator speaks of railroads, then immediately afterwards describes (fictional) pubs using the term railway, and finally ends up calling it railway himself! 

 

Quote

In short, the yet unfinished and unopened Railroad was in progress; and, from the very core of all this dire disorder, trailed smoothly away, upon its mighty course of civilisation and improvement.

 

But as yet, the neighbourhood was shy to own the Railroad. One or two bold speculators had projected streets; and one had built a little, but had stopped among the mud and ashes to consider farther of it. A bran-new Tavern, redolent of fresh mortar and size, and fronting nothing at all, had taken for its sign The Railway Arms; but that might be rash enterprise - and then it hoped to sell drink to the workmen. So, the Excavators' House of Call had sprung up from a beer-shop; and the old-established Ham and Beef Shop had become the Railway Eating House, with a roast leg of pork daily, through interested motives of a similar immediate and popular description. Lodging-house keepers were favourable in like manner; and for the like reasons were not to be trusted. The general belief was very slow. There were frowzy fields, and cow-houses, and dunghills, and dustheaps, and ditches, and gardens, and summer-houses, and carpet-beating grounds, at the very door of the Railway.

 

It's fascinating to see how the railways gradually become a feature in Dickens' life and starts appearing in his works. An eyewitness description of the coming of the railways - although of course a fictional and privileged one.

 

 

7 hours ago, ChrisN said:

The last Smog, in London was, I think, in 1962.  I remember because as a boy I had an orthodontic appointment, and I suppose because it was so thick the buses were not running so my mum and I walked all the way.  Probably about 40 minutes.  We could only see about 5 - 10ft in front of us, if that.  The Orthodontist said, "Why did you not cancel?" which pleased my mum no end.  I was ill the next day, I felt quite sick.

 

This is a long way from your picture, but the fog looked like that, but perhaps more grey.

 

I can just picture it, Chris. It has all the ingredients of an experience a child would never forget!

 

Has anyone ever done a layout showing a railway enveloped in fog?  It would be quite an easy project, except for the endless discussions about the right shade of the fog :)

 

Edited by Mikkel
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Brilliant!  What a treat for a rainy afternoon over here.  Your figure painting and posing is second to none.  Thanks for sharing. 

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Early references to rail travel are always interesting. In one of my CDs it mentions Mendelssohn working on the Hebrides overture between 1829 and 1834 and wanting to get the taste of "seagulls and train-oil" into the piece.

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9 minutes ago, Barry Ten said:

Early references to rail travel are always interesting. In one of my CDs it mentions Mendelssohn working on the Hebrides overture between 1829 and 1834 and wanting to get the taste of "seagulls and train-oil" into the piece.

 

Train-oil was another name for whale-oil, so no connection with railways, I'm afraid. I did hear the tale that he had actually sketched out the overture the day before his boat trip to Staffa and that he was miserably sea-sick throughout the trip.

 

He was, however, responsible for a notable early excursion. For the premiere of his oratorio Elijah at Birmingham Town Hall on 26 August 1846, he, the soloists, and the entire orchestra travelled down from London by special train.

 

Edited by Compound2632
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I'm getting Deja Vu now and wonder if you've pointed that out to me before, in some other thread.

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1 hour ago, Barry Ten said:

I'm getting Deja Vu now and wonder if you've pointed that out to me before, in some other thread.

 

The Elijah bit, probably. I had to look up train-oil.

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13 hours ago, PaternosterRow said:

Brilliant!  What a treat for a rainy afternoon over here.  Your figure painting and posing is second to none.  Thanks for sharing. 

 

Many thanks Mike. It was made for rainy afternoons in the age of Covid19, so that's good.

 

BTW I recently had a pleasant trawl through your blogspot site. Good to see all the layouts and magazine articles together.

 

13 hours ago, Barry Ten said:

Early references to rail travel are always interesting. In one of my CDs it mentions Mendelssohn working on the Hebrides overture between 1829 and 1834 and wanting to get the taste of "seagulls and train-oil" into the piece.

 

Yes, I fell into that trap too (in Dickens) until I remembered the Danish word "tran", which means whale oil. Can't claim Norse origins though, it seems to be German (meaning "drop" originally).

 

13 hours ago, Compound2632 said:

 

Train-oil was another name for whale-oil, so no connection with railways, I'm afraid. I did hear the tale that he had actually sketched out the overture the day before his boat trip to Staffa and that he was miserably sea-sick throughout the trip.

 

He was, however, responsible for a notable early excursion. For the premiere of his oratorio Elijah at Birmingham Town Hall on 26 August 1846, he, the soloists, and the entire orchestra travelled down from London by special train.

 

 

For a moment there I thought this might be Felix Mendelssohn and his equally talented sister Fanny. But it's only the Crummles. Also, there are gauge issues.

 

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Edited by Mikkel
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It might be Jenny Lind, the Swedish Nightingale, who was due to star in the premiere of Elijah but was unwell. Anyway, the trip to Birmingham was from Euston, by the month-old LNWR. I'm not sure Fanny Mendelssohn ever travelled to Britain. From her correspondence with her brother, we know that she was planning to write an opera based on the Nibelungenleid. How different would the course of European culture and history have been if the Ring of the Neibelung had been written by a Jewish woman?

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4 minutes ago, Compound2632 said:

It might be Jenny Lind, the Swedish Nightingale, who was due to star in the premiere of Elijah but was unwell. Anyway, the trip to Birmingham was from Euston, by the month-old LNWR. I'm not sure Fanny Mendelssohn ever travelled to Britain. From her correspondence with her brother, we know that she was planning to write an opera based on the Nibelungenleid. How different would the course of European culture and history have been if the Ring of the Neibelung had been written by a Jewish woman?

.....a nice (railway) irony, perhaps the locomotive was named "Jenny Lind" in consolation of her absence from the premiere? (Couldn't find an image ex copyright).

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1 hour ago, kitpw said:

perhaps the locomotive was named "Jenny Lind" in consolation of her absence from the premiere? (Couldn't find an image ex copyright).

 

Point of pedantry: E.B. Wilson's Jenny Lind didn't appear until the following year - a batch of ten for the Brighton (David Joy had developed it from sketches he had made of an engine designed by the much-maligned Grey) followed by 24 for the Midland. An interesting link there - part of the success of the Jenny Lind was down to eliminating Grey's valve gear, which was done at the insistence of Grey's succesor - not Craven, but Thomas Kirtley, who held the of Locomotive Superintendent for just under ten months before his premature death. Thomas was of course the elder brother of Matthew, who had pipped him to the post of Locomotive Superintendent on the formation of the Midland, although Thomas had held that position on the largest constituent, the North Midland, and Matthew on the relatively insignificant Birmingham & Derby Junction. One can imagine Thomas dropping the hint to his brother as to just what excellent machines Wilsons were building for him. 

 

Jenny_Lind_compressed.jpg.05653c13bfd4fcd5f69cc1a5ec54cfcd.jpg

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That made me look into the history of the Jenny Lind type. I had not really appreciated before how the design was purchased/used by various companies. Reminiscent, I suppose, of the US tradition. Yet it developed differently in the two countries. Which made me wonder why, so I had a look around and found the attached article. Bedtime reading.

 

23703250.pdf

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Just had a brief skip through the article, and I think that it doesn’t touch on the main point, that railway workshops needed to carry out repairs and maintenance of the fleet through the life of the machines, possibly over thirty years and more. The private contractors were interested in new build, and maybe supplying a batch of renewal components such as boilers, but didn’t get involved in bread and butter work of looking after their products, here or America. Go round any of the Railway workshops, and “new build” was a lesser activity than scheduled repairs, and had the virtue of keeping the workload and resources balanced, always assuming that traffic needs kept fairly level.

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On 14/10/2020 at 05:41, Mikkel said:

 

Searching for "rail" in Dickens' works seems to illustrate the co-existence of railroad and railway  in the language at the time. In the quote below from Dombey & Son (written 1846-48), the narrator speaks of railroads, then immediately afterwards describes (fictional) pubs using the term railway, and finally ends up calling it railway himself! 

 

 

It's fascinating to see how the railways gradually become a feature in Dickens' life and starts appearing in his works. An eyewitness description of the coming of the railways - although of course a fictional and privileged one.

 

 

 

I can just picture it, Chris. It has all the ingredients of an experience a child would never forget!

 

Has anyone ever done a layout showing a railway enveloped in fog?  It would be quite an easy project, except for the endless discussions about the right shade of the fog :)

 

 

John Dornon used a stage smoke machine for his model of Laira Engine shed to have smoke and steam coming out around models. If strikes me you could use one to create a fog effect no point in a real pea souper but one of those where it drifts across in waves could be effective. You might want a bit of yellow lighting if it is meant to be smog. 

Come to think of it there may have been touches of that in some of the Little Duck End videos.

 

Don

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5 hours ago, MikeOxon said:

see: https://www.rmweb.co.uk/community/index.php?/blogs/entry/13643-special-unique-photo/

It was a very difficult scene to create, one April 1st.

 

5 hours ago, Donw said:

a stage smoke machine for his model of Laira Engine shed to have smoke and steam

 

Whilst I agree that the atmospheric use of such machines can impart something rather unique I would be wary of their use.

 

Frequently used , or were used at events, disco's etc for a useful addition to the lighting ( I used them at most gigs when asked for ) they are no longer allowed generally due to being a possible fire hazard and venue managers are not often willing to allow the use of such machines. Although the better ones give a nicely regulated "fog" they also generate a fair amount of heat due to the element within the machines.

 

Not certain if canisters are still available but I'd suggest using these for a one off scene if purely wanting to get that haze affect.

 

I cannot recall the name of the modeller who created a superb French themed layout but I believe he also DJ's and uses a smoke generator to great effect on his layout ( its somewhere on YouTube ).

 

Maybe with care they could be used at home, and a word of caution......Do Not try to adapt the output into a smaller tube for that "secret outlet" on a layout.....I know !

 

G

 

 

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14 hours ago, Northroader said:

Just had a brief skip through the article, and I think that it doesn’t touch on the main point, that railway workshops needed to carry out repairs and maintenance of the fleet through the life of the machines, possibly over thirty years and more. The private contractors were interested in new build, and maybe supplying a batch of renewal components such as boilers, but didn’t get involved in bread and butter work of looking after their products, here or America. Go round any of the Railway workshops, and “new build” was a lesser activity than scheduled repairs, and had the virtue of keeping the workload and resources balanced, always assuming that traffic needs kept fairly level.

 

Yes a bit odd that the author doesn't go more into that, although it does crop up occasionally (e.g. mid-p59). It's also not clear why it developed differently in the US, although in fairness that would be a whole study in itself. More generally speaking, I found this table interesting:

 

image.png.bb9f526c3792cddbf6da4f046cb1e483.png

Source: Boughey, D. (1999) The Internalisation of Locomotive Building by Britain's Railway Companies during the Nineteenth Century. 'Business and Economic History , Vol. 28, No. 1, pp. 57- 67, 1999

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15 hours ago, Donw said:

John Dornon used a stage smoke machine for his model of Laira Engine shed to have smoke and steam coming out around models

 

Steffan Lewis used to have the same thing under his Maindee East layout but he rarely used it, having set off the fire alarm at one venue

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15 hours ago, Northroader said:

Just had a brief skip through the article, and I think that it doesn’t touch on the main point, that railway workshops needed to carry out repairs and maintenance of the fleet through the life of the machines, possibly over thirty years and more. The private contractors were interested in new build, and maybe supplying a batch of renewal components such as boilers, but didn’t get involved in bread and butter work of looking after their products, here or America. Go round any of the Railway workshops, and “new build” was a lesser activity than scheduled repairs, and had the virtue of keeping the workload and resources balanced, always assuming that traffic needs kept fairly level.

I have sometimes wondered how rigorously overheads were treated when the Brighton reported the costs for locos that had been built at Brighton Works. Labour and materials (particularly the reuse of scrap material) were accounted to the penny. But, once you have a factory, it would be very tempting to regard it as a sunk cost on the revenue account and only take account of the marginal cost of the new build activity, much of which would fall to the capital account. 

J C Craven was particularly adept at trickle construction of new locos in pairs, which suited his taste for experimenting with all the latest patent devices. An incidental benefit would have been the development of a drawing office. Taking the distinction between cost and value, there would have been considerable perceived value to the company to maintain a stable workload and therefore employment of its skilled workforce.

Best wishes

Eric

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Indeed. The Midland isn't discussed in the article but it's a classic case. The rate of building of new locomotives was roughly constant* over the whole of Johnson's time - the last quarter of the 19th century - but there are boom periods - late 1870s, 1890s, when very large orders were being placed with the trade, chiefly but not exclusively goods engines. The more experimental passenger engines - the singles in particular - were built in-house.

 

*Or increasing in line with the capacity of the works, which had to grow to keep up with the size of the locomotive stock.

 

The point about the trade not providing maintenance facilities or contracts is an interesting one. On the North American model, where the lifetime of the locomotive was the lifetime of the boiler, perhaps that wasn't a question. On the British model, the locomotive was expected to long outlive its boiler (at least after the adoption of steel rather than wrought iron boilers), so the railway companies had the option of rebuilding. In Johnson's time on the Midland there was a steady programme of rebuilding locomotives with larger cylinders and higher-pressure boilers, with no visible change in appearance; Webb did something similar but a bit more extensive with the LNWR's stock of 2-4-0s; elsewhere, and later, rebuilding could be more dramatic. One does wonder how maintenance was arranged for all those British-type locomotives exported overseas? Where the purchesers just left to make their own arrangements?

 

The trade could be very arrogant: NBL certainly thought they knew best how to design a locomotive for British conditions - but I have no doubt that if they were given a free hand, the result would have been stagnation of design.

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