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Quickie rock painting


Will Vale

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Rock painting experiment by Will Vale, on Flickr

 

The plain brown undercoat has finally reached the right side of the layout, so I've been putting some (maybe) final paint on the rocks on the left. It's not too bad, it looks a bit frosty and overdone under my worklight, but nice in daylight and it seems to photograph OK. The green bits are just stood there to get a feel for the colour balance - it's going to be very green which I think will reduce the contrast in the rocks and make them appear a bit lighter as well.

 

Recipe for this was raw umber + gesso undercoat, drybrushed with dark grey, light grey, light concrete, and white. I then added a brown-black wash in the crevices and wiped most of it off again, and retouched the drybrushing with the addition of pink and yellow for a bit of variation. The problem with all this drybrushing is it brings out the sand which I don't much like - thankfully I covered some of it with clay on the key vertical surfaces. I hope that the lack of sand in the undercoat at the other end of the layout (lesson learned) will leave enough surface texture to get the same level of detail in the paint - it's a bit of a balancing act.

 

 

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There are one or two spots which shout "model" to me on this cliff - the diamond-shape cut-out looks very knifey, and you can see the structure of torn Styrofoam in a couple of the vertical cracks. I think vegetation will be an effective disguise for both of these, so nothing to worry about yet.

 

I've also been working on the bridge walkways and abutments but don't have anything good to show for it yet. And I had to redo the primer coat on the roadway after repairs - it took me four or five attempts to find a way to create decent road markings of 0.5-0.75mm width, but I think I've got it now. When the primer is really hard, when I've restocked my Tamiya tape, and when if I'm feeling really brave, I'll try and get them all done.

 

In other news I received a BR 101 in the post today, so I can run a (short) version of IR2216/2217 - now cancelled, I think this was the last long distance service to use the line?

 

[edit: added a rather crunchy contrast-enhanced detail from the original pic.]

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Nice pictures and some useful information about colouring in your notes.

 

Inspiration for me and my new Cambrian project that will feature rocky outcrops.

 

Thanks for posting.

 

Cheers

Frank

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Thanks Frank! I was lazy and didn't write the exact colours I used - all Games Workshop acrylic bar the initial undercoat which was tube acrylic. To remedy that:

 

Adeptus Battlegrey (dark), Astronomican grey (light), Dheneb Stone (concrete) and their "Skull" White.

In smaller quantities, the yellow is Iyanden Darksun, the pink is Tallarn Flesh.

 

You could mix your own equivalents, but I find sometimes it's a helpful shortcut to use premixed colours if I'm not doing all the painting in one session - I guess taking notes would work too but I tend not to think of that while painting :)

 

One interesting result is that drybrushing slightly shiny darker grey over the lighter matt undercoat gives a nice polished stone effect - a rough surface in recesses, with the bare stone revealed on edges. I'm not sure it's very 'scale' but it sort of works for earth and grot lying in the crevices..

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That looks rather effective, Will. This multi-layer paint approach does seem to work quite well. I've had some success with a similar method of painting rocks based on something Richard (Ben Alder) posted some time ago. In my case, I started with a burnt umber undercoat and then successively lighter neutral grays. The greys were applied by dry brushing, but getting increasingly dry as they get lighter. Some of the greys had burnt sienna, yellow, or green added for variety. All done with artists' acrylics with much easier to remember names...

 

Nick

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