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'Doris' settling in..


Chris Nevard

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6343046581_c7c058e770.jpg

111114_beattieWT_IMG_1919_WEB, a photo by nevardmedia on Flickr.

 

With the little Beattie Well Tank now in my possession I couldn't resist popping the little beauty on to Polbrock to see whether it fits in. On that note is 'it' a 'she' or 'he'? Presuming 'she' had a name, I think that 'Doris' would suit? That being the case, 'Doris' is all rather pristine and will in due course be given a little fake patina replicating a working engine rather than looking like a finalist in the X Factor. The trick with weathering is to create the effect of a working engine, but not make it look like it's been trashed and dropped in due-to-be-changed-cat litter - it's often a fine line. Maybe 'Kev' would be a better name for mucky engine?

 

The 'set' is of course my latest micro Polbrock, which is far from complete, but finished enough to use it as a prop to photograph stock on. Recent work being to tidy up some of the static grass around and between the rails. During application I over-diluted the PVA glue a little too much making some of the grass fibres fall over through lack of support, over thinned glue being limp like a manager promoted beyond his or her capability. It was an easy enough job to rub the almost horizontal fibres off and re-apply with some less diluted PVA about 2 parts glue to 1 part water. Now the freshly applied fibres stand up boldly unlike limp management.

 

Interestingly enough the grass fibres between the rails have no effect on running performance as long as they don't stray between the loco wheels and rail surface. A disposable razor run along the rail top is a good way to remove any stray fibres followed by a good vacuum and dusting of hair spray to keeping everything in place - you don't really want the little fibres getting in to engine mechanics.

 

For the shot here, the camera was resting on the level crossing and the scene lit with natural window light. A large pale blue board and my rolling stock photo plinth thingamajig were then placed in the background to hide the lack of proper backscene and domestic furniture! Later in Photoshop I replaced the blue board with a de-focussed actual sky because the pale blue wall had some shadows on it. The smoke is the only other embellishment. I'm looking forward to sorting out the proper backscene which will have a fuzzy, misty Cornish inspired landscape which will negate the need to mess about with bits of board and computer editing too much.

  • Bigger version of the above photo here.

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  • RMweb Gold

Fantastic image as ever - and although "Doris" looks the part it (she) really does stand out as too clean in your surroundings! I guess it shows how well your other models have been toned down to match their surroundings so that everything gels into an overall impression....

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That's a delightfully deft bit of Photshoppery with the smoke and backscene Mr Nevard... which poses a question: If 'Doris' had been through the weathering process and was in her final form would you have considered editing out the front coupler pocket too? They don't half show up in images of this quality from head on. However would eliminating it, in your opinion, be step too far?

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I won't edit any of the actual modelling, a step too far (and ideally never for magazine commissions). I imagine the coupler pocket will be removed when I tweek the engine and proper screww couplings are popped in.

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Guest Baba_Black_Sheep

Posted

Your new picture, looks like a police mugshot!

 

Baba Black Sheep

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