Jump to content
 

Bovey Tor


Gedward
 Share

Recommended Posts

  • RMweb Premium
9 hours ago, MrWolf said:

Woof.

 

(That's my other dog impression.)

 

The hair is truly impressive. I'm going to be studying those pictures. 

Cat impressions AND dog impressions. You are indeed a man of many parts.

  • Agree 4
Link to post
Share on other sites

  • RMweb Gold
7 hours ago, MrWolf said:

Those cats are realistic enough to make my otter have sneeze. 

 

 

Edited by NHY 581
  • Like 1
  • Informative/Useful 1
  • Funny 2
Link to post
Share on other sites

  • RMweb Premium

Thought it would be good to show how my paintings are built up gradually over several layers. Taking a similar approach to this landscaping.

 

 

 

 

 

 

 

 

 

ALEX1.jpg

ALEX2.jpg

ALEX3.jpg

ALEX4.jpg

ALEX5.jpg

Edited by Gedward
Editing copy and typos
  • Like 4
  • Informative/Useful 1
  • Craftsmanship/clever 5
  • Round of applause 6
Link to post
Share on other sites

51 minutes ago, Gedward said:

Thought it would be good to show my paintings are built up gradually over several layers. Taking a similar approach to this landscaping.

 

 

ALEX1.jpg

ALEX2.jpg

ALEX3.jpg

ALEX4.jpg

ALEX5.jpg

 

Anyone we should know perchance ?

 

Answers on a Daler Board / Canvas !

Link to post
Share on other sites

  • RMweb Premium

So starting with a photoshoot. And for portraits the lighting setup is crucial. After selecting the 'one' from dozens of shots, the image is drawn onto the canvas.

 

Next I paint a grisaille - an underpainting. This acts as a way of marking out your main tonal values. And acts like a road map for the later colour stages. The big advantage here is that you don't need to make colour decisions early on, and so can concentrate on form only.

 

I then mix up several flesh tones and store them in small jars. As the painting can take anything up to 3 months to complete. 

 

The flesh tones are roughly painted to start with. Then on the subsequent layers everything is refined and tweaked. The beauty of this method is that, as the final layers become quite translucent, you can see through to some of the underlying layers. This gives the skin a more natural feel and texture.

  • Like 2
  • Informative/Useful 7
Link to post
Share on other sites

8 hours ago, Gedward said:

Still concentrating on this little corner. But quite pleased with the progress so far.

 

 

PL hut corner_01.jpg

I'm following this bit with particular interest, as I have a very similar bit to do on Yelverton. I hope you will accept imitation as a sincere form of flattery!

Alex 

  • Like 1
Link to post
Share on other sites

  • RMweb Premium
15 minutes ago, wiggoforgold said:

I'm following this bit with particular interest, as I have a very similar bit to do on Yelverton. I hope you will accept imitation as a sincere form of flattery!

Alex 

 

Absolutely Alex, you're very welcome.

  • Thanks 1
  • Friendly/supportive 1
Link to post
Share on other sites

  • RMweb Gold
46 minutes ago, Gedward said:

 

Absolutely Alex, you're very welcome.

 

Psst! Don't tell him the price until the very last minute. That way he'll be so surprised that he won't think of bartering. I know these things.

 

C. Heeps-Kayte

  • Interesting/Thought-provoking 1
  • Funny 4
Link to post
Share on other sites

  • RMweb Premium

If you'll forgive me turning this thread into an episode of Art Attack. This portrait of Bobby, is a good example of translucency using several glazes. 

 

When completed in 2004, my young daughter took one look at the work and said. "Wow, you've even painted his tubes". She meant his veins. I actually didn't paint them, it just looks like I did. As you can see through the top layers down to the grey underpainting below.

 

 

 

 

 

BOB PORTRAIT FINAL.jpg

Edited by Gedward
Editing copy and typos
  • Like 2
  • Craftsmanship/clever 7
  • Round of applause 4
Link to post
Share on other sites

  • RMweb Premium
1 hour ago, Siberian Snooper said:

 

 

Looks to me as spring has sprung up on the moors.  Excellent work.

 

 

 

...and the grass is riz.  Many thanks.

  • Like 1
  • Agree 1
Link to post
Share on other sites

  • RMweb Premium

This is one of several studies made of weathered stuff found around the garden. A great way to study rust and weathered timber.

 

 

 

Garden_Final_01.JPG

Edited by Gedward
  • Like 7
  • Craftsmanship/clever 1
  • Round of applause 2
Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
 Share

×
×
  • Create New...