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  • RMweb Gold
2 minutes ago, KNP said:

 

I have two types on LM

Painted the underside of perspex in a green brown for the brook to give a flat still effect.

The harbour is greenish shade on MDF with PVA dabbed on with a 1" brush laid flat then lifted to give a rippled effect, needs to be applied in the same direction. If memory recalls I applied 6 separate layers and can be renovated with another layer of glue as and when necessary.

 

 

 

Thanks Kevin. 

 

The 'gloss' coming  from the PVA rather than varnish ? 

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20 minutes ago, NHY 581 said:

At the moment mine's not likely to be a quayside/wharf jobbie. 

 

:shout: Noooooooooooooooooooooooo! 

 

(I do hope you change your mind!)

 

Thanks for the reference to the book - I'll see if I might get it myself for my birthday! (Today!!)

 

Steve S

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17 minutes ago, SteveyDee68 said:

 

:shout: Noooooooooooooooooooooooo! 

 

(I do hope you change your mind!)

 

Thanks for the reference to the book - I'll see if I might get it myself for my birthday! (Today!!)

 

Steve S

 

Oh! 

 

Happy Birthday Steve. !!!!!

 

 

 

 

c4410d4879832465ef9445221806aa71.jpg

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1 hour ago, NHY 581 said:

If anyone has any hints and tips to share regarding the creation of water, I would be grateful.......

You could always go for the Arun Quay approach and have the water implied rather than modelled. I like how he did it the opposite way around to most quayside layouts and had the quay at the back rather than the front.

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37 minutes ago, NHY 581 said:

This is the photo by Dr Ian C Allen that got me thinking. 

 

IMG-20210805-WA0001-01.jpeg.9dbd2b62a1e8717ba69bbb33d405c471.jpeg

 

J15 alongside the pond at Laxfield. August 1952. 

The first thought is*, that's a bit of an embankment there, it would be difficult with your standard IKEA boards.

But a quayside might work if you have an extension from under the board as the water surface, so the board edge becomes the quayside.

 

*Actually the first thought is, that's a wonderful scene!

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9 minutes ago, Captain Kernow said:

Too late.

 

I'm troubled by the critical juxtaposition of the internal dynamic of biomorphic forms with any optical suggestion of aesthetic principles, where the aura of the figurative matrix could cause rampant ambiguity in the overall definition of the work.

 

 

So what you're saying is you're getting senile ?

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Bonwick Wharf, Bonwick Broad or just Bonwick  . . . 
Mind you Bonwick upon Ouse also has an appropriate ring to his skills ;) 

 

Or just a slightly worn merchants lorry carrying such a thought. 

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12 minutes ago, Captain Kernow said:

Too late.

 

I'm troubled by the critical juxtaposition of the internal dynamic of biomorphic forms with any optical suggestion of aesthetic principles, where the aura of the figurative matrix could cause rampant ambiguity in the overall definition of the work.

 

 

errrr half past three

 

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4 minutes ago, Stubby47 said:

 

So what you're saying is you're getting senile ?

Not at all. I was merely explaining that I sometimes feel unsettled by the critical juxtaposition of the internal dynamic of biomorphic forms with any optical suggestion of aesthetic principles, where the aura of the figurative matrix could cause rampant ambiguity in the overall definition of the work.

 

Not too much to ask, is it?

 

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3 minutes ago, Captain Kernow said:

Not at all. I was merely explaining that I sometimes feel unsettled by the critical juxtaposition of the internal dynamic of biomorphic forms with any optical suggestion of aesthetic principles, where the aura of the figurative matrix could cause rampant ambiguity in the overall definition of the work.

 

Not too much to ask, is it?

 

 

 

I'm grateful for the clarity, Mon Capstan. Brevity personified. 

 

 

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6 minutes ago, Captain Kernow said:

Not at all. I was merely explaining that I sometimes feel unsettled by the critical juxtaposition of the internal dynamic of biomorphic forms with any optical suggestion of aesthetic principles, where the aura of the figurative matrix could cause rampant ambiguity in the overall definition of the work.

 

Not too much to ask, is it?

 

 

And now you're repeating yourself...

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Just something to give some throught.

 

post-8525-0-00515800-1468362718_thumb.jpgpost-8525-0-31288700-1468362729_thumb.jpgpost-8525-0-35384200-1468362744_thumb.jpg

 

 

Wells next the sea of course.  I drew up quite a few plans after staying there before I remembered all my stuff was Cambrian or GWR not much use for Norfolk.

 

Don

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I've been doing some research, and I think we might have been spelling and saying his name wrong.

 

I've read he was actually Norman Flockhart, a name synonymous with the region, but owing to a misspelling in the railway  press at the time the name Lockhart became the common labelling.

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