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Urie S15 - paint and lining


Barry Ten

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On the home stretch now, with the olive green on and most of the lining.

 

I sprayed the model using a Railmatch aerosol of dark olive green, over several coats of primer, with a lot of careful rubbing down between coats. The black areas were then brush painted.

 

I lined the boiler bands using waterslide transfers - Modelmaster, I think - and the tender and cabside lining using acrylic ink in a bowpen. The numbers and Southern lettering were from an HMRS pressfix sheet. I chose an S15 that seemed to have the right combination of chimney, smokebox door, tender, livery etc - I hope!

 

blogentry-6720-0-38744300-1431197417.jpg

 

Still to be done - quite a lot! Cylinders need painting green and lining, wheels also need painting, bufferbeam number, cabside plate etc. But it's starting to look more finished than not finished, anyway

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  • RMweb Gold

That's looking great Al! You've made a lovely job of that cabside lining, getting a fine enough line to match the boiler bands must be very tricky in 4mm.

 

Dave

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  • RMweb Gold

Ah, that smooth egg-shell finish. You've got it spot-on Al, very impressive. Will you be weathering it? I'm not sure I'd have the heart to do it! 

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  • RMweb Gold

Dave: I'm still getting the hang of the bowpen.

 

I tried using enamels straight from the tin but they dry up so quickly it's hard to draw a long line without interruption. Perhaps my tins were getting on a bit - they say to only use new ones for lining. The acrylic inks work seem to flow a bit more easily and they've got the necessary opacity, at least the white and black seem to. I'll try lining a panelled coach with them next and see how I get on with the gold and black. Fortunately I've got a huge range of acrylic inks in the art room!

 

If I drew a white line that was a bit too thick, I let it dry then cut back into it with a bit more black.

 

Mikkel, Job: maybe a touch of weathering, but not too much.

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  • RMweb Gold

The tender looks a bit droopy in that shot. I've since swapped the orientation of the bogies and added a washer above one of them to correct the ride height. It's because the bogies each have a slightly different design, to accommodate the DJH coupling system, which I didn't use.

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  • RMweb Gold
Dave: I'm still getting the hang of the bowpen.

 

I tried using enamels straight from the tin but they dry up so quickly it's hard to draw a long line without interruption. Perhaps my tins were getting on a bit - they say to only use new ones for lining. The acrylic inks work seem to flow a bit more easily and they've got the necessary opacity, at least the white and black seem to. I'll try lining a panelled coach with them next and see how I get on with the gold and black. Fortunately I've got a huge range of acrylic inks in the art room!

 

If I drew a white line that was a bit too thick, I let it dry then cut back into it with a bit more black.

 

Mikkel, Job: maybe a touch of weathering, but not too much.

 

A couple of drops of Ronson lighter fluid really helps enamels to flow without thinning them too much.

 

I tend to steer clear of metallic colours for lining the particles that give it the metallic appearance clog up the nib really quickly. I do any "gold lining" with yellow ochre which flows much better:-)

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