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In the deep midwinter


Barry Ten

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More work on the winter module - I've ballasted the track, and begun to add some of the foliage and hedges that will eventually be snow-covered. I've also done some more work on the backscene, toning down the pink a bit with some oversprays of dilute white and then a mist of Naples yellow. I then turned to one of my S&D books and found a nice Ivo Peters photo of a 7F struggling up a bank with a background of snow-covered hills, which I've used as the basis for the hill on the backscene. If I'd been painting it from my imagination, I wouldn't have thought to put a line of trees and hedges along the ridge, so sometimes it's good to refer to photographic reference material.

 

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Since taking these pics I have cut back into the ridge with a bit more white. Next, I'll be adding more foreground foliage and hedges, to extablish a visual separation between the modelled scene and the background. I'm still undecided over what to do about the seam in the backscene - whether to just live with it (it doesn't really offend me when I'm looking at the module with my own eyes) or to disguise it by overpainting some tall foreground trees. Decisions, decisions...

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  • RMweb Premium

It's looking nice Al , the backscene is a bit special , I hope it is an optical illusion but the track seems to have a good downhill slope to the bridge and then appears to start climbing again . :)

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Very Atmospheric Barry!

 

I think the answer to Sidecar Racers comment is that the 2nd shot was taken with a wide-angle lens? They always introduce a lateral distortion. The number of times I've been lazy photo-ing buildings , & instead of moving, opened out the lens aperture...

 

Keep it going Barry - looking good!

 

Regs

 

Ian

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  • RMweb Gold

Looks good Al, the trees on the ridge is the tip of the day for me.

 

I hadn't noticed the seam in the backscene until you mentioned it. I think a painted tree could be risky, as painted foreground trees always seem rather revealing to me. I don't suppose there is room for a real tree? (a mode one, I mean!).

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  • RMweb Gold

Hi Chaps - yes it is the camera causing that distortion, thankfully ;)

 

One of the unanticipated problems with building Shillingstone at eye-level is photography, in that my biggest tripod still doesn't get me high enough. For some of the shots I've put the tripod on my Workmate but that's a bit precarious and it's a pain having to move the Workmate around or clear stuff off it just for a snap or two.

 

Mikkel: I think you're right; I'd be in danger of drawing more attention to the backscene than I want. There might be room for a kind of low-relief tree, but I'm not sure how it would work in terms of shadows falling onto the backscene; I'd need to experiment first before committing to anything. For now I think I'll leave well alone.

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  • RMweb Premium

Hi Chaps - yes it is the camera causing that distortion, thankfully

 

 

 

I thought it must be something like that , if it was my baseboard building then I would know it was bent . :lol:

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