When I handed the painted EWS Queen Mary brake van back to Jim McGeown of Connoisseur Models for his exhibition stand last spring he said, 'Thanks very much old chap, would you like to do one in Southern livery too?'
I said 'Yes please Jim, delighted to, old bean,' and skipped away with another heavy box of brass and whitemetal.
When I got home I opened it and found the model constructed to Jim's usual high standard; free from excess solder blobs and squeaky clean. Nevertheless it now had the oils from both his and my hands all over it, so I gave it a good scrub with Barkeeper's Friend, a rinse in hot water and left it to dry for 24 hours before blowing it over with a hairdryer to chase out any trapped droplets.
After blackening the wheels with Birchwwod Casey Super Blue I drifted Clostermann black etch primer over the sprung(!) bogies and Acid #8 over both the body and roof. The Clostermann primer goes on very wet out of the tin, so I had the hairdryer at the ready, just in case it decided to droop or run, but all was well, and half an hour later it was dry enough to remove the paint from the wheel treads with a moistened cotton bud. The coverage was such that no top coat was needed on the bogies and they were ready for weathering. As well as reducing the time and expense, on less coat of paint helps to keep the detail nice and sharp.
I applied the vermilion to the body first then while that was drying painted the roof white. 24 hours later I masked off the ends and painted the body brown. All the Precision paints for wagons have a dull finish, so after leaving the paint to cure for 72 hours I sprayed Windsor & Newton Galeria gloss varnish in the areas I was going to add transfers and left it to dry for another 24 hours. Transfers were a mix of Parkside left over from the earlier Pill Box and some Fox waterslide I had in stock, and I sealed these with a mix of matt and satin Galeria varnish.
Weathering was pretty much as before - my limited palette of Humbrol matt black and satin brown, with addition hints of leather, light grey and gunmetal where appropriate, putting it on and taking it off again to build up the patina. Again, I spent much more time than anything else over adding the highlights and shadows with a dry brush, finishing off with a grain or two of powders here and there.
It's a bit of a beast of a brakevan - there's certainly a lot to it - and I can heartily recommend the kit Southern aficionados with a couple of etched kits under their belt.
These are the last completed photos I can find on my cloud (so far) so until I get the computers up and running again things could a little quiet. I have some 'work in progress snaps' on my phone, but they may not be up to publication standard - I'll work through them and if anything jumps out will post them.
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