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About story telling


Job's Modelling

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Making a railway layout or a diorama is actually telling a story. I found an interesting article about this subject, although aimed for writing a short story or a novel. But I have already seen some different approaches passing by on the RM web.

 

 

1. VIGNETTE

Typically, a vignette is defined as something that is incomplete, an impressionistic scene that centre’s around one moment, and gives the viewer an image of a person or place.

For my layouts and diorama’s are vignettes. The viewer of a layout will see a train pass by and fills in his own story. The same occurs when someone is looking to a diorama.

 

blogentry-11675-0-01109800-1455388049.jpg

The interior of the Great Eastern pub in Bridge Street.

 

2. SLICE OF LIFE

Similar to the vignette, a slice of life story is incomplete in that it focuses on the common, a random series of moments or scenes. Often times these feel almost like journalism, documenting events without offering up any explanation, any thoughts or understanding of what has happened—and the story typically has an open ending.

This could for instance be the case if you look at these two pictures of Daisy Page on Station Road.

 

blogentry-11675-0-74124400-1455388227_thumb.jpg blogentry-11675-0-90122900-1455388249_thumb.jpg

 

3. LIST

There are any numbers of ways to write a list story, but typically, it is broken up into either numbered scenes, or a collection of objects or ideas under one concept.

My story about Northall is actually a list story. I have broken the story up in the days of the week. In this way I will try to give a time based picture of the life of the family Page in Northall.

For this see the attached PDF.

 

Sunday 23 august 1959.pdf

 

4. LENGTH

You’ve certainly written short stories in a variety of lengths, but typically the length of a short story is supposed to be between about 1,000-7,500 words. But it is possible to use less words to tell a story.

The honourable slipper boy told by Mikkel (picture used with permission) (http://www.rmweb.co.uk/community/index.php?/blog/75/entry-16866-the-honourable-slipper-boy-part-1/ ) is such a short story, told in pictures and words.

 

blogentry-11675-0-80109600-1455388426_thumb.jpg

 

For my Northall Story, that I will tell this way as a multimedia project, I have calculated that it will be possible to do it in about 3000 words.

You can find my own multimedia presentation here: https://www.facebook.com/job.weessies/videos/947390605350238/

 

IN CONCLUSION

The bottom line is that what form you use it has to serve the story.

I hope that I’ve inspired you to stretch yourself and experiment a bit. I’m sure I’ve missed some great ideas.

But take some chances, experiment a little bit, and see what happens. It could be fun. And don’t forget to publish it on the RM-web.

 

And as usual suggestion and comments are most welcome.

 

Kind regards,

Job

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Unfortunately there is some lose of quality placing it as movie on Facebook. My PowerPoint presentation is much sharper. But I still hope you will enjoy it.

And a added a new PDF for the story because I wasn't content with the layout in the first edition.

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Hi Job. A very interesting post. Those are useful categories as formats/methods for storytelling, I think. 

 

I wonder if it would make sense to also talk of different *purposes* of story telling. Eg:

 

* Humour. Ad hoc fun captions beneath a photo, as entertainment and banter.

* Layout presentation: Here, the purpose of story telling is to show/present the layout.

* Historical modelling: This is story telling showing the human dimension of a historical era and its practices and events.

 

The Finching sisters on Rob's ANTB thread could be an example of the former. On the second one, my Farthing stories were originally meant as a way of layout presentation. And your Northall modelling is perhaps an example of the third aim, with it's strong focus on showing the 1950s through real people and everyday lives.

 

I'm finding the latter aspect (historical modelling) increasingly interesting too. In railway modelling there are so many stories to tell and historical practices to show that haven't been done yet, due to the tendency of railway modellers (myself included) to focus on the hardware. 

 

Do you know if there are any advances in diorama modelling where story telling has been used? 

 

BTW, the Facebook link doesn't work for me, I get a message saying that the content isn't available.

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Hi Mikkel,

 

Thanks for your informative answer.

Every one has to develop his own way of story telling, and I agree with you that there are different ways to do it.

For me the social aspect in railway modelling was always the most important. For railway freight traffic is, for my more interesting before the 1960's. And I loved to see the development of freight wagons and the use of them.

I believe that you will see what I mean when I have finished my second chapter. 

 

For as far as I know most diorama's are vignettes. Giving the viewer an image of a situation or a person in a (time based) setting. I now realise that making a story with several diorama's asks also for a different approach to create the story.

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