Jump to content
 

Iain.d

RMweb Gold
  • Posts

    328
  • Joined

  • Last visited

Posts posted by Iain.d

  1. 13 hours ago, Chas Levin said:

    Very neat work Iain - this one's on my to-do list too for a civilianisation conversion.

    Here's a pic of something similar I did a while back on the Austin A6 crash tender from the Airfix RAF Emergency set, with a scratchbuilt body based on drawings in the Gerald Scarborough Airfix book on RAF vehicles, seen here on my (continually unfinished) layout, next to a Coopercraft AEC Monarch Tanker - both use transfers from Mabex:

     

    2078906927_Airfix_RAF_Emergency_Set-A6_conversion-July_2019(12).jpg.e473854bba2e68a79e70b2a396a98fa8.jpg

     

    Part of the object of the exercise in this case was to conceal the fact that the rear area of this road tunnel is blocked by a box containting some Heathcote signalling circuit boards; without the lorries there was a very obvious black wall only a little further inside the tunnel!

    Thanks Chas.

     

    Your glazing looks good. For mine, I have cut the windscreens and side windows from clear plastic glazing material and will secure them with 'glue 'n' glaze (I think that's what its called) but I don't think it will be as neat as yours. Thinking I'll mess up the glass work is causing me not to want to progress it - the build I showed above has been pretty much like that for weeks.

     

    Kind regards,

     

    Iain

    • Thanks 1
  2. 19 minutes ago, Roger Sunderland said:

    Are these the pots of Humbrol acrylic? I ask because my experience of them is of a sludge with fine grit added and in no way suitable for an airbrush. On the other hand I’ve found the Humbrol rattle cans to be first class.

    Hi Roger,

     

    They are the pots and yes some can be a little gritty - the crimson more so than the cream. I've not known them to be sludgy. I've had a stock of pots for years (late 1990s) and still have 6 crimsons and 3 creams (all unopened). Because of the grittiness, which I've mentioned on here before, I will more often use Vallejo Carmine Red 70.908 - hence the mismatch in the number of Humbrol pots per colour. But this carriage will sit in rake of Humbrol painted ones, and I wanted them to all be the same colour - very shallow of me and often un-prototypical, I know!

     

    For the Humbrol paints, they get stirred within an inch of their lives (often doing it two or three times in the evenings leading up to a spraying session) and then thinned with Vallejo airbrush thinner when I'm all set up to go. I couldn't really tell you the consistency - I do it by eye, knowing how much paint to pour in the airbrush cup and where it comes up to on the side and then adding the thinner and knowing where that level needs to come to, and then mixing it.

     

    Kind regards,

     

    Iain

    • Informative/Useful 6
  3. 20 minutes ago, 60526 said:

    Crimson/cream, blood/custard? Who's paint did you use for this finish?

    Charlie

    Cream - Humbrol Acrylic RC 424

    Crimson - Humbrol Acrylic RC 423

    Varnish - Valejo Mecha Satin (which does brighten the colour slightly)

     

    All sprayed.

     

    Kind regards,

     

    Iain

    • Like 1
    • Informative/Useful 3
  4. I haven't been out much with my camera over the last few weeks - Perth has (I think) had its wettest July for about 25 years. I like being out early but that seems to have coincided with some pretty heavy rain and stormy weather.  This morning though, I decided to pop down to Fremantle port and see what was happening. Its an easy way to spend an hour watching the ships, cranes, ferries to and from Rottnest Island and the local fishermen - but there were none of those braving the rain this morning!! In between the showers I took this:

     

    Freo_K1_0320.jpg.23cf8481738e81dda54b270678e29601.jpg

     

    We also have two ships in port at the moment that are vessels in quarantine, as a number of the crew are COVID-19 positive; this is one:

     

    Freo_K1_0324.jpg.a78b8e3cc4ba134ab3ebc0aa29c9ebfb.jpg

     

    Kind regards,

     

    Iain

    • Like 9
  5. My copy arrived with me today in Australia, dispatched by Strathwood books on 27 July - pretty impressive delivery speed!

     

    I have only had a quick flick through but my first impression is that it's a superb book and nicely put together.  Having been a Somerset & Dorset enthusiast for more years than I care to remember, I have collected a significant number of books on the line. Some of the images in this new book are easily familiar to me (mostly the Ivo Peters' ones) but many are new and a significant number are from different viewpoints of recognisable places, which to me just adds another dimension to my love of the line.

     

    I am very glad to be able to add it to my library; worth every penny in my opinion.

     

    Kind regards,

     

    Iain

    • Thanks 2
    • Informative/Useful 1
  6. 1 hour ago, SRman said:

    SWMBO and I went on another excursion a few days ago to the Yarra Valley, so getting around 50 km from Melbourne's centre, or around 30 km from our home in the eastern suburbs. I plotted a slightly less direct route to take in Skyline Road for sonme views over Sugarloaf Reservoir. The car's dashcam didn't capture the total spectacle of the view, unfortunately. By eye, we could see the city in the distance, but the bright sunny sky washed the image out on the camera view.

    Our destination was the Yarra Valley Chocolaterie, which is, itself, set in some beautiful scenery. Anyway, here are some of the photos, including a couple from the dashcam.

    ch0_20210701115235_20210701115335.jpg.4a331234d07b30928226aebe897bde85.jpg

    ch0_20210701115736_20210701115836.jpg.45a562b92bd73e4f03310cb073e551f8.jpg

    IMG20210701122938-blur.jpg.88c6186c0383e6af4f899b24bf918be8.jpg

    IMG20210701135643.jpg.da2e48ca27f9f10249ef88e5712b07b7.jpg

    IMG20210701135646.jpg.2833a25b419f638e7c968165786a2b67.jpg

    IMG20210701135650.jpg.352176b9e838c902699223f1b2f37908.jpg

    Beautiful! I do like the Yarra Valley. Before moving to Perth, we lived in SE Melbourne and used to take day trips up to the Yarra Valley.

     

    Kind regards,

     

    Iain

    • Like 1
  7. Perth has just gone into a four day lock down which has restricted travel in our metro area.  I was very lucky last week to get a few days away in the south west of Western Australia. I was blessed with some beautiful weather, did a bit of coastal walking and took a few photographs along the way. Its about 2 1/2 hours away from home, so close enough to my own area.

     

    2082051568__K1_0123jetty.jpg.270c06190a62d395f1ad077fb2516d30.jpg

     

    483037571__K1_0199-castlerock.jpg.877e5ee900e1cfa3bfba8135ad43df58.jpg

     

    1197420026__K1_0268dunsborough.jpg.fb759e8c435c0ed323842669743631ee.jpg

     

    Kind regards,

     

    Iain

    • Like 12
    • Craftsmanship/clever 1
    • Friendly/supportive 2
  8. I had reason to be in Perth CBD last night but had some time to spare so I decided to drive a little bit out of my way and go via South Perth. I have always loved the view to the city at night across the Swan River.  This was it a little after sunset, maybe 10 minutes too late as the colour in the sky is a little dark, but there are a few stars visible, even in this heavily compressed/reduced in size image.

     

    Perth_K1_0036.jpg.8af6f1ff43da7b166ba947d0169a363f.jpg 

     

    Just noticed that perhaps too many of the posts above this one are mine, and the viewers of this thread might be getting bored of pictures of my own area!

     

    Kind regards,

     

    Iain

    • Like 9
    • Friendly/supportive 2
  9. Got up early this morning to go out and take some images.  First up I went to a local beach but it was covered in winter weed and grass (washed up from the ocean) so I decided to move closer to Fremantle. I got a coffee and drove onto the mole on the north side of Fremantle port and took this. 

     

    1411950747_FremantleApproach-13Jun21(K1_0018).jpg.a35716f8de1493a12f3c073d65a55e2a.jpg

     

    I was just about to pack up when a couple of tug boats passed in front of me, from left to right, heading out to Gage Roads and realised they were probably going out to guide a ship into the port. About five minutes later, round the end of the breakwater appeared the MSC Letizia.

     

    822387736_FremantleApproachMSCLetizia-13Jun21(K1_0022).jpg.2fe3910035df6ec0d126630554d8f5de.jpg

     

    Kind regards,

     

    Iain

    • Like 12
  10. 4 hours ago, jwealleans said:

     

    I see you've already had some advice.  Brace yourself, it's complicated.   My build starts here, if it's of use.   I ended up with two cast parts left over.  I asked Paul Gallon, who I knew had built one and when he checked he also had one of the same bits left.  In the end I asked Danny himself, who confirmed what I thought about one bit (back of the crab, too late to fit it by then) and said he never bothered with the other.

     

    I also used Ambis 40 lpi chain on the one I built, which looks much better.  Rigging it is a whole character-forming experience in itself.....

     

    spacer.png

     

    It was built for Dave Scott.   I don't know whether he still has it.

     

     

    Hi Jonathan,

     

    Many thanks for the link to your build. I had seen it previously, a fair while ago, but had forgotten who had done it or where it was. Hopefully  I would have found it through RMWeb’s search function. I will show the build on WW as I do it, any assistance will be gratefully received. If mine looks something like your build, I’ll be happy.

     

    I bought the crane directly from D&S for 37GBP just before we emigrated to Australia in 2008; I carried it in my hand baggage as it was just about the last thing to arrive in the post other than the final electric bill!

     

    I recall having a conversation with Mr Pinnock via telephone at the time of purchase and explaining to him that I wished to model the prototype that was shedded at Bath Green Park in the early 1950s, but that I’d never seen a picture of the whole thing (the cab half is in the background of one of Ivo Peters’ images) and didn’t know if the crane was a Mk1 or Mk2 version. He said couldn’t remember either, so very kindly included an extra set of jib etches, to cater for both.

     

    Since purchase I have acquired a reasonable number of crane photos (none of the Bath one) and various articles and, on my last trip back the UK, in February 2020 (luckily just before COVID) I purchased Peter Tatlows book on breakdown cranes which has a huge amount of info on these 15T ones.  I’ve bought some 40 link per inch chain (A-Line #29219) for the rigging and am waiting on Wizard having some 3ft 6in 10 spoke Gibson wheels in stock, failing that I think I will raid a couple of my LMS 2P rebuild projects and use the bogie wheels from there for now.

     

    Kind regards,

     

    Iain

    • Like 3
    • Thanks 1
    • Informative/Useful 1
  11. 2 hours ago, lofty1966 said:

    I'm currently building some BSL/Phoenix GWR stamped aluminum coaches with the  standard cast white metal ends supplied.

    The coaches weren't supplied with corridor connectors but most of the ends have the start of them moulded on.

    Having offered up some Comet coaches castings the outline is completely different. 

    Can anyone point me in the direction of some that are closer to the BSL profile or is it a case of carving off the old mouldings and replacing totally?

    Hopefully I dont have to go that way as I have about 20 coaches to do. Eek!

     

    I have done a number of things to resolve this.  On a GWR D94 BSL/Phoenix I carved off the whitemetal ‘start’ so its smooth and just added a homemade bellow, I also took off all the end detail, less the steps, and then added my own. I made all the handrails and gangway suspensions from bits of wire etc, as below:

     

    1227193520_GWRD943ComptBTKW4753W(BSL-Phoenix)(3).jpg.0803b78ab7006242e4da8935cc03178f.jpg

     

    I did this for one carriage, not sure I’d be so inclined for 20!!!

     

    For other carriages I have either filled in the white metal ‘start’ with a spacer, normally a layer or two of roughly shaped plastic card, with the end one (which will sit proud of the whitemetal 'start') profiled to match the Comet/Roxey (or whoever’s I was using) casting, and then attaching the casting. The white metal ‘start’ gets lost under the black/brown mixture I paint the end of my vehicles. I have one BSL carriage to do and I intend to make the spacer of some sort of flexible material (dense-ish foam or rubber) so when its coupled to the adjacent vehicle there’s an allowance for compression/expansion, and then attach the bellow to that.

     

    Hope that help.

     

    Kind regards,

     

    Iain

    • Thanks 1
×
×
  • Create New...