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Telegraph poles


Barry Ten

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Before I finish the framing of the fascia, I wanted to finish some of the more fiddly jobs at the back of the layout, which will be tricky to reach when the top framing is done. It'll always be removable - I've used the same design on the other two modules - but the less you have to do it the better. Adding a row of telegraph poles was one of those fiddly jobs...

 

As on the spring module, I used Ratio poles, simplifed the number of bars slightly, and added a suggestion of wires by using four strands of EZ-line. More would be nicer, but it's a real fiddle adding the lines and four doesn't look too bad.

 

The spring module was only a bit longer than 6 foot and I spaced the poles at 40 cm intervals, so didn't need to use many. The summer module is longer, and the poles needed to run the whole length of it. In the end, though, it wasn't any harder stringing the wire provided I took care not to gum everything up with superglue.

 

Ideally, you'd string the wires with a bit of sag between the poles, but that's stretching my skills to the limit I'm afraid. The problem is that the Ratio poles are sufficiently bendy that the wire, even though it's very stretchy, begins to tug at them once you've added a run or two. So if you started with a bit of a sag to start with, it could become a huge sag by the time you've finished adding all the wires between all the poles. For the sake of sanity I kept the wires taut. They are still very stretchy so it's hard to damage them.

 

Incidentally you can spot some shadows being cast onto the backscene. I'll need to paint some more trees onto the backscene to soak them up, but that can wait for another day.

 

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Even with the wires at equal tension, some of the poles end up buckling a bit, especially as the line changes direction. I bodged some diagonal bracing to the worst offenders, hoping it would look convincing enough once painted.

 

Adding wires is one of those debatable modelling touches where you could argue they are better omitted, rather than being done in such a way that they don't ring true and consequently draw the eye when they should just blend into the scene. On balance I think they're worth the trouble but I can see the arguments against. In any case, the telegraph poles alone add a much needed vertical element to the scene.

 

Cheers, and thanks for reading.

 

Edit - here's a bit of progress toward concealing the shadows, by adding more trees to the backscene. Still some shadows there, but at least now they're not obviously against the sky, and can be further reduced by adding 3-d foliage in and around them.

 

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The Bachmann N class has just received a decoder, so it's been getting a good bit of running over the last few days. I'm very fond of these models.

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A well-timed blog for me as it's something I've just added to my layout.  I'll be trying some wiring but as I model the 1980s, I can thankfully get away with just one piece of wire!  Yours do look excellent and I'll try some EZ-line myself.

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A big thumbs-up from me for thinking about the shadows; I spent a frustrating day this week removing tree shadows from a backscene in photoshop - not many people would think that way so I applaud it. :)

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  • RMweb Gold

I don't think that teh wires look intrusive at all - arguably the eye expects to see them, and when you see your wires, they look just right. I do have some E-Z line myself, so I think I'll have a go at that too on CL...

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  • RMweb Gold

Flicking though a back issue of Loco Revue last night I saw a beautiful French module with 12 wires per telegraph pole. I imagine it would help if you could access both sides, rather than doing it all from the front, although whether that was the case with the module, I don't know. It did look superb and in a way made me regret bottling it by only doing 4.

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  • RMweb Gold

A beautiful scene enhanced with those little details that although are time consuming and damn frustrating at times make it more believable and classy.

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Nice one Al..... You don't notice really when they are not there......but you do notice when they are!

 

If,you know what I mean!

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Telegraph wires have a natural sag in them, and are very rarely stretched tight when put up, primarily to allow for them to shrink in cold weather.

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  • RMweb Gold

Telegraph wires have a natural sag in them, and are very rarely stretched tight when put up, primarily to allow for them to shrink in cold weather.

The sag is extremely difficult to model convincingly, and you're left with the decision as to go down the road that Al has gone (with great results, in my opinion), or not model the wires at all.

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Telegraph wires have a natural sag in them, and are very rarely stretched tight when put up, primarily to allow for them to shrink in cold weather.

 

Read Al's blog entry again, you'll see he is well aware of this. I did once see a 7mm example which incorporated the sag, but it was quite noticeable that the wire used was very overscale, maybe because there were a large number of them.

 

I'm inclined to agree with CK's earlier point that the eye expects to see them, even if scale sized wires would be almost invisble and probably wouldn't last five minutes. I've used EZ-line for fencing wire where the scale issues are much the same, but the result is much more convincing than having no wire at all.

 

Nick

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  • RMweb Gold

Lovely shots, Al, that second one in particular illustrates how good the GWR could look in the post-1956 BR livery.

 

The telegraph poles add nicely to the scene, I think. The wires were definetely worth it.

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