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Collett 70 foot corridor third - final work


Barry Ten

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I bet you'd all forgotten about this, but it's been back on the bench for some final work including droplights being painted, glazing added, and roof and ends painted. There are still a few small castings to go on the ends, as well as working bellows, and I've still yet to add the door opening handles. Then I have to devise some coupling solution which is more a case of choosing one of the several incompatible methods I use on different items of stock.

 

Corridor side (my favorite side, for some reason - perhaps it's the larger windows, lending a less cluttered look?)

 

blogentry-6720-0-91570700-1459975025.jpg

 

Compartment side:

 

blogentry-6720-0-06835500-1459975151.jpg

 

Finally I thought I'd see how it lined up against one of Hornby's very nice new 57 foot bow-ended Collett coaches.

 

blogentry-6720-0-33180700-1459975235.jpg

 

What's readily apparent is that Hornby's chosen shade of GWR brown is very dull indeed, almost a khaki in certain lights. I wouldn't say it's in any sense wrong but it's definitely on the drab side. My experience
is that these differences, while stark when you examine two vehicles next to each other, tend to become less striking when running in a train. And of course there was a wide variation in the conditions of paint
on real coaches, perhaps even more so on the GWR which was noted for assembling very mixed rakes of stock, so you probably wouldn't want too exact a match.

 

Overall I'm very satisfied with this coach and look forward to adding its brake third partner in due course. Given that it's taken me more than three months to do this one, though, you'd be well advised not to hold your breath...

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Saw this first on Wright Writes, it is very nice indeed.  As to the colours, the variations were there in real life, not to mention the dirt (but that would be in the 1950s!)

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  • RMweb Gold

Certainly true in the 50s, but some of the rare colour photos I've seen of GWR days do show quite a bit of dirt/grime/fading as well, although that might be due to the relative lateness of the images, being late 30s and/or immediately post-war.

 

Who wouldn''t kill for a colour camera and a time machine trip back to 1923, or 1930? Imagine capturing the entire railway scene, rather than just the usual three-quarters portrait of a locomotive? I suppose that's why we have models, to take us back in a way that the historical record never can.

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  • RMweb Gold

Collett would have been proud, Al. That paintjob is superb.

 

Like you I also prefer one side of coaches to the other - except it's the other side!

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