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Northroader

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  1. There was a replica of the Coalbrookdale loco built a few years ago, it was displayed at Telford Central station for a time, but now the Ironbridge Gorge Museum has it, usually at Blists Hill. I had a thick book on early steam engines a few years back, research in that had the boiler existing for a long time as a water tank at a site near Ironbridge, and that records exist in a coroners court following a boiler explosion which placed it out of service, but further details are vague.

    The site of the Hasldines foundry at Bridgnorth is recorded, which made the parts for other Trvithick engines such as the Penydarren and Catch me who can. There’s a replica of the Penydarren loco at the Waterfront Industrial Museum in Swansea.

  2. The practise for coach roofs was to form by t & g boards laid lengthwise on supporting curved sticks and then cover by canvas stretched over. This was then waterproofed by layers of paint. Bear in mind the texture of the canvas is totally different to coach sides, which are wooden panels, well sanded and varnished to finish. You could attempt to keep the sides clean and smart, but the roof would just get dirt and grime forming into the roughness over its life. I think it's best to start with Matt white, but experiment with darkening the surface. A van roof I did recently got grey paint over the white, which I mopped with a paper kitchen towel to get a faintly dappled look, then when dry plenty of black pastel chalk powder dropped randomly and brushed crosswise.

     

  3. K14s post says it all, really. Check the posts, too. The Ian Allen "GWR country stations part 1" shows a picture of your namesake station with an early hand painted board, looking as if it's on the LBSC or the SER. While you're at Didcot remember to pick up any small lumps of that rare commodity, coal, which happen to be lying round the yard, for breaking up for wagon loads.

  4. The only blue enamelled one I can remember when much younger was at Cressage. The blue was a bit darker, and the letters, which were formed as a whole with the rest of the sign, were block capitals. The seriffed letters which you've done were raised cutouts, presumably fitted individually to the board, same as the block capital type. I would think that these were always black and white. I don't see why either type shouldnt be printed flat rather than being raised, the difference is negligible, except to the most picky. I've done a block capital one like this and I'm quite happy with it. There was a smaller version of the serif type which appears on old photos of signal boxes, which appear to be screwed to the front of the structure without being on a board, and having the darker of the two stones.

    Your gate looks really good, demonstrates what you can do with care and some jigs.

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