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Mick Bonwick

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Blog Comments posted by Mick Bonwick

  1. On 12/01/2019 at 16:13, sb67 said:

    Thanks Mick, look forward to that.

    Steve.

     

    Patience rewarded.

     

    Wanting to play with artists's oils and AMMO Oilbrushers, I tried out the former on this subject. Quite simple. really, in that I used a blob from each of the three colours on a piece of corrugated card, allowing the card to absorb some of the carrier and shortening the drying time.

     

    IMG_7881.JPG.100e8b4703ecdcf09d6df667f653cce8.JPG

     

    White spirit was used to thin each brushful to a wet consistency (slop it on) and then each was left to dry. Several layers were used, and each layer was mixed separately, ensuring that no two layers were quite the same colour. This is the finished subject shown with the photograph that inspired the task.

     

    IMG_7883.JPG.8586ac772e53ffe2b74267493eac1abe.JPG

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  2. Everything above the running plate was done with oil paints. I was trying two different types - water-mixable artist's oils and AMMO by Mig oilbrushers. Finished off with the normal pigment selection. The underframe was a combination of oilbrusher and airbrushed Railmatch Sleeper Grime. The shiny edges to the buffers comes from handling, and I didn't notice it until I'd taken the photographs.

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  3. Hello Mick, been re reading this thread and I was wondering, do you know if turning the loco wheels using a battery would work on a DCC fitted loco?

     

    Hello Steve,

     

    Only if the decoder has been set to run on DC. You'd need to check the decoder settings to determine whether anything needs to be changed. If I'm working on a DCC locomotive I'll usually set up a DCC handset to work a rolling road and place the loco on that. Mind you don't clog up the ball bearings with paint, though?

  4. Hi Mike,

     

    I use the cheapest that I can find when I need to buy some more.Currently half way through some B&Q best. A wash is a very thin concoction, with a high proportion of carrier to pigment, and will take a long time to dry thoroughly. I don't very often use more than one wash on one area of a model, so the problem you relate doesn't occur. When I do want to use more than one wash in an area I will leave the first one to dry for 48hrs and then apply a coat of Testor's Dullcote. I leave that for a further 24hrs and then move on to the next wash colour.

     

    I keep meaning to try one of the odourless products but have not yet got round to it.

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  5. Hi,

    If you are after the same effect as the photograph may I respectfully suggest that you fade the main body colour first otherwise your model will end up rather dark.

    Cheers

     

    A valid point. It had been my original intention to airbrush a coat of ComArt Light Dust to achieve the fading effect, but that went by the board when I sat down to get on with it. Impatience got the better of me!

     

    If I make the time, I'll do another one without being impatient and see what the difference is.

     

    Thank you for mentioning it.

  6. That's right, Steve. The layer of dirt that you can see in the original photograph is consistently thin, although it has changed the colour of the wagon significantly. My intention is to copy that as closely as I can. One disadvantage of this approach is that the wash tales a long time to dry, although it can be helped on its way by directing a plain airflow from the airbrush. Just air, no paint.

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