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  • RMweb Gold

I just had to scratch the static grass itch. Having mentioned it earlier I couldn't deter myself from extricating some bits and bobs from their well-hidden box.

 

Two colours of 2mm fibres mixed together and laid onto neat PVA:

 

P1030153_Cropped.JPG.509572280fb17ace004f482c46d31403.JPG

 

And then, having done that, I just had to dig out some more and try them:

 

P1030158.JPG.5bd5f1bb9606c4200ac456d7a751b844.JPG

 

And while I was watching the glue dry, some weeds appeared. By now I was so excited I couldn't hold the camera still.

 

P1030160.JPG.a1b8134bd4c66f94ad64c051a1e71e70.JPG

 

 

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54 minutes ago, Mick Bonwick said:

 

There's a graphic illustration just a few posts back.

 

Honestly, I don't know why I bother. :rolleyes:

Ah that picture.

 

Doesn't help when posts are missed when viewing the topic.

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6 minutes ago, Mick Bonwick said:

Frustrated by the out of focus weed I just had to go and try again after dinner. Weed and wine must have helped steady the hand.

 

P1030165_edited-1.jpg.d4effff930c41e8faead56669c32ac10.jpg

 

 


What is it? Looks invasive.

 

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38 minutes ago, Mick Bonwick said:

 

Lythrum salicaria 'Easton Glory'. F1 hybrid, as driven by Lewis Hamilton.

Looks mOre like Celtricius tricolaria ‘Irish Knockweed. As driven by Land O’Norris.

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1 hour ago, Mick Bonwick said:

 

 

P1030165_edited-1.jpg.d4effff930c41e8faead56669c32ac10.jpg

 

 

 

Looks like I've found a use for those bits you trim off when preparing the Brussel sprouts. 

 

Brassica Farticarus Pantous. 

 

Rob. 

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A quick photographic sequence that shows a few details of the methods used to create a colourful weed.

 

Find some long strands of material that have tapered ends. I bought these before realising that cheap nylon-bristled paintbrushes are somewhat less expensive. Run a line of PVA along the upper end of the bristles.

 

P1030154.JPG.c78c5e3f378fa6e1d7527557e4ef1aaf.JPG

 

Turn the assembly over and repeat so that the PVA forms a completesection across and through the bristles. Wait for the PVA to dry, probably about 12 hours.

 

P1030155.JPG.157e274f34a2d6b4159eabd873f01613.JPG

 

Cut off the end section of the assembly, just below the line of PVA, which has dried clear.

 

P1030166.JPG.45c0d35aa7cf9b3f6b9cdb80b6e872b8.JPG

 

Separate into small clumps. Or large ones, of course, if that's your target.

 

 

P1030167.JPG.673d5fd3681c99cdff73caa8381f8943.JPG

 

P1030168.JPG.40f4c9a911ec698ebe1ed0fb2c7131d2.JPG

 

 

I've added some paint to the dried PVA area on this sample so that you can see how it looks. The PVA holds just a few strands together and is stiff enough to allow tweezers to push the assembly into a hole without the strands bending or separating. The ends below the painted bit are cut off when it's ready for planting.

 

P1030170.JPG.52f96314f9f7e87d931f1dd935246d2a.JPG

 

 

Make a hole in which to plant your plant and fill it with a drop of PVA.

 

 

P1030171.JPG.a63f861a72648ed61a414c6472af1116.JPG

 

Plant your plant so it's planted.

 

P1030172.JPG.1246fe12736519fc72db739b91d15c55.JPG

 

Add leaves and blooms to taste. I use a pair of tweezers and dip each leaf or bloom into even more PVA and just touch the item to the stalk or base. Neat PVA is sticky enough to make it stay put straight away. Unless you get glue on the tweezers, of course . . . . . . .

 

 

Photograph overload, but it might provide some inspiration somewhere.

 

 

 

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Definitely inspired, plus the idea of planting the plant then adding the details makes perfect sense. 

That's why I have ended up with triifids in the past.

For inaccessible areas, the plant could be temporarily planted into something else.

I use cheap brushes for the background of my paintings, because they get destroyed by the abrasive paint, I only use my good ones for the details. They get relegated to scruffy modelmaking jobs after one painting, so I have a good supply of bristles.

Definitely something I will try once the main groundwork is done on my layout. Thanks for the information.

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