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Brass0four

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  1. The hemp looks very useful, although my layout "Scotsward Bridge" is in the wood-butchering phase, so I must contain myself. Otherwise, your post had me over to your website, refreshing my memory of 'Catgot, where I found an image I've somehow missed: the one(s) with the green Morris Traveller. I passed my test in the same type and colour, in 1965, age seventeen, when all things are possible in the life to come. I rather think both black-and-white and colour will alternate fairly permanently on my desktop. Mind, alongside a B1, K3, J37 or something of that ilk' would be beyond bliss. (At my age you take your bliss where ever you can get it... :blush_mini:

     

    All the best for the New Year.

     

    Tony.

  2. Most impressive! as a Scalescenes fan I enjoy the way you've used this excellent resource to design generic warhousing. It is ideal for the task. As I'm sure you are aware, artists pastels (expensive but stronger and more permanent pigment than some powders*) are excellent for subtle weathering.

     

    *its my belief that some powders use a carrier, not unlike talc, to dilute expensive pigments, which you can do for yourself if you need to chuck a lot about! ;) Beware of poisons in some cadmium and other pastels. Wear surgeons gloves and take care. Just my two-pennyworth. 'Course I'm going back to art-school days in the sixties. Perhaps synthetics are as good these days and I'm just bumping my gums. ;)

     

    All the best for the coming year. Brasso.

  3. Hi Jon, I mentioned once before that I was sad you weren't doing-transition green, but what you are doing will be of great benefit to me when I harness the bottle (to mix a metaphor or three) to mutilate a Bachmann DCCsound loco that is leering at me with a "dare ya!" look on its pugnatious face.

     

    BTW: don't worry about the "conversation participation" thing. I'm 62 years old, not pc-savvy, and totally bewildered regarding the polite nuances of this website. 'Aven't a clue! lol :blink:

     

    (but I have seen the 50s and 60s and thats a talent that can't be learned. ;)

     

    Brasso.

  4. - morning after CRINGE!!!

     

    (BTW: "Seasonals to all!" May Sanitary Clause give you all you'd wish for. (In my case a Bachmann DCC sound 45. I hear a 08/26/45/55 choir in my Diesel Shed come the day. Bliss! - and bleeding ears... ;-) )

     

    Brasso.

     

    PS: No, not wealthy. I sold a fair DC stable of locos to go DCC + sound. Beware! - it does get a hold of you )

     

    Memo to self: Do not post if the bottle is empty! :( :( :(

  5. Had one in me shaking hands a few days ago. 'Was sorely tempted, but I've no justification region-wise. The cab detail is excellent, water-gauges sharp, etc. Fine, to my untutored eye.

     

    BTW: "Seasonals to all!" May Sanitary Clause give you all you'd wish for. (In my case a Bachmann DCC sound 45. I hear a 08/26/45/55 choir in my Diesel Shed come the day. Bliss! - and bleeding ears... ;-) )

     

    Brasso.

     

    PS: No, not wealthy. I sold a fair DC stable of locos to go DCC + sound. Beware! - it does get a hold of you :( :lol:

  6. Looking good! Steadily improving - a great improvement over the former Metcalfe which I've never really liked.

     

    Are you going to put some steps/stairs where the taxi is parked? Otherwise, broken limbs, unless you mean axcess via the ramp. In anycase, a fence or wall will be required to make the platform safe at the entrance. But I'm sure you've got that sorted already.

     

    I like the bus. Those are expensive - around £25.00 GBP where I live. Vehicles can quickly take up cash. I like to pick up a car or two when I visit my local model shop. Buses are nearly as expensive as railway coaches, though, which is a bit of a put off. But when I have full rakes of everything, then I'll feel more inclined.

     

    Keep up the posts, John. I'm enjoying seeing the railway develop.

     

    Cheers, Tony.

  7. I'm a scalescene fan, too. I have the medium station kit so its nice to see it made. Much preferable to the Metcalfe in my view - much less fussy and generic BR. Also, a definite plus on the platform length. Five plus loco seems good to me, although Im trying for six but that might mean undesirable shortening, elsewhere. But - here's a thought - back in my boyhood (60's at Newcastle Central) I'm sure locos occasionally parked clear of the platform? Not a problem for the crew, surely, as they often had to mount from the ground anyway, and they'd be on from the shed? So long as they could see the Guards flag I can't see a problem. I rarely saw platform water-cranes used as both Heaton and Gatehead locos would be topped up. 'Don't know about Kings Cross - Edinburgh,etc, though, but I can't recall seeing them used. But for your terminus they'd coal and water at the sheds after turning, I imagine?

     

    Regarding my stuff. I think I'll post at retrospective periods on work already done (Later in the year, the way its going, otherwise my posts'll take forever. I seem to think you might have done it that way, initially?

     

    Anyway, the layouts developing very well.

     

     

    Cheers, Brasso aka Tony

  8. You've come a long way since you started. Excellent for beginners like me to be enthused. I'm willing to bet that a lot of your card structures might also see a weathering. Weathering can transform card kits; that and painting the card corners! ;-) One day I'll get confidence to publish my own simple efforts. For the moment I'm gob-smacked by the standards on this web-site... :-D

     

    Regards, Brasso.

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