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Thorpe's trial & error


kitpw

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One or two fictional PO wagons would not go amiss at Swan Hill and a local merchant "Thorpe" has at least one wagon.  Now what to do about the livery?  The well known problem of printers - whether lazer or ink jet - not printing white suggests that a small signwriter is required... or is it a writer of small signs?  So, a thought: maybe I could print outlines onto waterslide transfer film and hand paint the lettering - worth a try?  The shading can be printed, black, red or whatever, so that takes away some of the requirement for a steady hand (which I have not got) and sharp eyes (of which I only have one good one).  First up then is to design/print (lazer).  The lettering is an adapted "font" which has been exploded in a CAD programme back to an editable outline and then adjusted to give a slightly bulkier letershape and shaded.  The transfers are printed direct from the CAD programme. 

 

20220329_142411.jpg.b40a5494c6baba5e93b91ab78efc195f.jpg

 

Then cut out and place on the wagon in this case a Slater's kit, more or less ex box:

 

20220329_142320.jpg.684353dfd32f32ab02078bb141f94145.jpg

 

Then some white paint - actually, it's acrylic ink....the block of ice is the piercing out-saw table made of perspex which I also use to support hand/brush...

 

20220329_154908.jpg.066e1714537f2ca7e3f671fd79b73221.jpg

 

then the other side...

 

20220329_154917.jpg.1a56c5cedb1352711bdab9c06379026a.jpg

 

And to complete the job, some of the other details and a good deal of dirt:

 

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Like every good experimenter, some evaluation of the resuts is required....well, the sharp eyed will notice that the edges of the transfer film are definately not concealed by the dirt so a thinner carrier film is necessary: somebody will have tried this before and probably sourced a thinner film...get in touch and let me know!  Second thing I noticed is that the transfer film doesn't take paint very well, it's too glossy.  I sprayed the second side with a light dust over of matt acrylic varnish which improved matters but not that much.  A heavier matt coat would help.  I intentionally placed the lettering to avoid the lumps and bumps on the wagon side as the carrier film didn't like stretching over the obstructions - I've noticed a few PO wagons show the same disinclination by the signwriter to give themselves a hard time:  to that extent, there is some prototypical evidence.  Again, a thinner film would perhaps allow the more common approach of trying to paint a letter over a wagon strap and latch - which is pretty daft, if commonplace.

 

Trial and error- well it was a bit of a trial and there are some errors but running in a train of wagons, it looks passable as a first "go" so I'll leave it at that.  There isn't a cripple siding at Swan Hill anyway so it's on the layout or back in the box - I think I'll leave it on the layout. 

 

 

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28 minutes ago, Mikkel said:

her co-worker seems to be painting a fresh new coat of paint

...and says to the other one "that's the Nth time I've told you to wait 'til I've finished the bloomin' top coat"...

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The photo looks posed to me; everyone being given a different job to represent the range of tasks of which women are capable...

 

Not including bouncing up and down on the middle of a sagging plank!

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Purely in the interest of historical accuracy...

 

Ian Pope and I have spent several hours in trying to trace any Ocean wagon with the number 917 as in the photo herein.  The GWR Freighters Registers for the tail end of the 19th century and the early years of the 20th century exist and there is no entry to match the details on the Gloucester build boards in the Gloster official photo.  Enlargement of a copy of the official photo does not reveal sufficient details on the RCH registration plate to assist in our search for the true identity of the wagon...

 

What might be the case is that Gloster had a large order from Ocean at about the time that the official photo was taken and that the photo shows a wagon from another order which was painted temporarily to confirm details of the livery that was required by Ocean.  Getting the wagon registration number from the RCH plate in the photo would help to resolve the conundrum.

 

Of course, maybe we are making an error by assuming that the wagon was registered with the GWR!

 

regards, Graham

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1 hour ago, Western Star said:

Of course, maybe we are making an error by assuming that the wagon was registered with the GWR!

 

Well, surely an Ocean wagon would most probably have spent its days on the rails of the Taff Vale Railway? 

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1 hour ago, Western Star said:

Purely in the interest of historical accuracy...


Ian Pope and I have spent several hours in trying to trace any Ocean wagon with the number 917 as in the photo herein. 


I just followed the photo in the Slaters instructions - honest, yer Honour!

 

If I had realised this was a controversial wagon, I would not have been so lazy and done the four digit number of the example in the Montague book on GRCW wagons…

 

And thanks to @Mikkel for posting those great photos of the paint shops, though as @Compound2632 says, practice for PO wagons being painted in relatively small quantities of any one design would likely be rather different to the standard liveries of the railway companies themselves.

 

Nick.

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In the context of transfers (or decals, if that's the same thing) and signwriting, I notice that there are two sizes of GW included in the Fox transfer sheet in both 7mm and 4mm scales.  Presumably, the two sizes represent 25" and 16" letters for the different periods. https://www.fox-transfers.co.uk/transfers/gwr-freight-vehicle-general-pack I did notice when I looked closely that the letter shapes are not simply blown up or shrunk down, the G is certainly different and the W maybe, not sure.  The HMRS sheet also shows a difference between the two sizes, but a different difference to the Fox sheet, if that makes sense. https://hmrs.org.uk/gwr-goods-vehicle-insignia.html.

 

Study of the 25" and 16" GW painted on various wagon sides suggests that they are the same, just bigger or smaller and I don't see much if any change over time in either the 25" or the 16" size (not including the distinct oddities where the GW has been broken over bracing angles or whatever, or in one case a MICA B with an obviously incorrect G [page 102 of Slinn's GW Way 1985 edition]).  I wonder if this difference has an historical basis or not?

 

Interestingly, on page 114 of Slinn, there is a MICA B painted red letters over a white ground (shows black on whte) and above it on the same page, a Goods Brake Van with GW in white on a dark ground - they look very different and although I would expect that effect in reversing the colours, I'm not sure that it's the whole story.

 

Kit PW

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But just to add to the confusion, during the 25" GW period wagons on which they would not fit had smaller sizes - so four-plank wagons had initials about three planks high:

 

566895463_Stourbridgepile-up.jpg.5a1a1460eddf2ba0ab43129da776d065.jpg

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32 minutes ago, Compound2632 said:

wagons on which they would not fit had smaller sizes

...it's the exceptions that test the rule!  I note that Slinn mentions that outside framed GWR Siphons had letters sized to fit the available space.  This is true: the available Gs and Ws (7mmm scale) are an unhappy fit on a Siphon G and must, I think have been "specials" on the prototype.  

 

I noticed too that these observations touch on matters discussed recently on the D299 Appreciation thread in respect of 'MR'.

 

Edited by kitpw
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These are the sort of thing that go unnoticed when they are right but stick out like a sore thumb when they are wrong.

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54 minutes ago, Compound2632 said:

But just to add to the confusion, during the 25" GW period wagons on which they would not fit had smaller sizes - so four-plank wagons had initials about three planks high:

 

566895463_Stourbridgepile-up.jpg.5a1a1460eddf2ba0ab43129da776d065.jpg


Thanks, Stephen, for posting this picture, which I haven’t seen before. Do you have a date for it?

 

Also - and apologies for some OT questions - I am curious about the number on what seems to be the inside of the sheet on the single-plank wagon. Above and a little to the right of the bowler hat, where the sheet is turned up and restrained by the tie, there are some numbers - possibly two ‘1’s and definitely a ‘4’. The 4 is the right way up, and not reversed, on what looks like it is the inside of the sheet. Were sheets painted with the lettering and numbers on both sides? In any case, the number should be upside down, as the sheet edge has been turned up - unless it was painted on the inside this way on purpose to make the number visible when the sheet was used turned-up on low-sided wagons?

 

The other thing I am curious about is the state of both the sheets and the single plank wagon. Both sheets look like fabric, in the sense you can see the texture, and they are quite matt. This contrasts with phots of new sheets, which are smooth and with quite a shine. I am pondering this as I wrestle with making wagon sheets to look half-way realistic in 7mm scale.

 

Also, the lettering on the single plank wagon is quite grubby - but what colour is the grub? Grey, brown, black? I realise any answer in somewhat speculative, in the absence of colour photographs, but I would be interested in people’s speculations!

 

Nick.

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8 minutes ago, magmouse said:

Thanks, Stephen, for posting this picture, which I haven’t seen before. Do you have a date for it?

 

Stourbridge, 24 April 1905, so the paint on the 4-plank wagon cannot be much more than a year old, at most:

Quite apart from the superb detail of the brake gear etc. and one of the best photos I know of for the chiseled-out lettering on the solebar of a wood-framed Great Western wagon, it's inspiration for when shelf space gets tight for one's growing wagon collection.

 

That's a very interesting point about the number on the sheet. I have to say I've not given thought to modelling the underside of a wagon sheet, but here's an instance where it is visible! Would you say you could just make out a number in the same position on the sheet on the 4-plank wagon? - possibly serif rather than block digits? On both wagons, the sheet is tied down with ties through the eyelets on the three tabs sewn into the first seam, rather than the eyelets along the long edges. Where I've modelled that, I've tried - not very successfully - to represent a "furled sail" look, but an upturned edge might be easier.

 

I think sheets probably quite rapidly lost their shine but I'd need to go away and hunt for photos to demonstrate this.

 

As to the one-plank wagon, I've nailed my colour firmly to the red lead-painted mast!

 

958814831_GWSaltneywagonsNo.21635andNo.21087decorationinprogress.JPG.9457323578dbc9d5ef29f75db449f3a8.JPG

 

I'm convinced by the logic of the argument that says that the change of colour must have come with the adoption of the radically different lettering style in 1904. What evidence there is has been chewed over several times on here; there are contemporary descriptions of Great Western wagons being in both colours in the decade before the great war - @Mikkel and @MikeOxon have assembled the evidence. 

 

One point on which I've dithered is whether ironwork below the solebar should be red or black. Red would be consistent with practice in the post-1904 grey period; I can't see any change of hue where the brake V-hanger crosses the lower edge of the solebar. But on the other hand there are plenty of photos of well-worn Midland wagons where no boundary can be seen, though the part on the solebar was definitely grey and that below, black.

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26 minutes ago, Compound2632 said:

One point on which I've dithered is whether ironwork below the solebar should be red or black. Red would be consistent with practice in the post-1904 grey period; I can't see any change of hue where the brake V-hanger crosses the lower edge of the solebar. But on the other hand there are plenty of photos of well-worn Midland wagons where no boundary can be seen, though the part on the solebar was definitely grey and that below, black.

I don’t think we’ll ever know, and photos don’t help as the emulsions on the plate glass negatives are very, very poor at distinguishing between red and black. I think a single colour is logical, as with post-1904 grey, just as you do, but others differ. I think we can do nothing other than make our own choices here.

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1 minute ago, Regularity said:

I think we can do nothing other than make our own choices here.

 

Absolutely. I am simply re-stating my own choice. Even RTR manufacturers differ.

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Indeed. I can see arguments for and against. Does anyone know a student of the Barry railway company? It would be interesting to see what could be found on goods liveries in Barry Railway archives, as the goods wagons of that company tend to be depicted with red body and black ironwork beneath the solebars. There might be some clues as to the reasoning that could help the GWR discussion (not in  cherry-picking way, but to cast light on rationales). When I did a quick dive into the Barry some years ago the sources were not clear, although Slinn says black underframes beneath the solebars.

 

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On 17/04/2022 at 07:24, magmouse said:

I have the 2009 revised and extended edition. The quote I referred to is in the section on wagon liveries, when it gets to the 1921 to 1937 period and the change from 25" lettering to 16". Possibly it isn't in the earlier edition, or just lands on a different page number.

 

Leaving aside for one moment what the nature of these 'templates' was, edition 1 (which doesn't mention them as far as I can see) puts the date of the size changeover as 1920. How explicit is edition 2's '1921'?

 

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4 hours ago, Miss Prism said:

Leaving aside for one moment what the nature of these 'templates' was, edition 1 (which doesn't mention them as far as I can see) puts the date of the size changeover as 1920. How explicit is edition 2's '1921'?

 

I'll check when I get home this evening, but I think the circular is given a specific date in edition 2....

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Slinn's "Great Western Way" (3rd impression 1985) gives this (page 107, chapter V Freight Stock):  "the alteration of 1920 was confined to the size of the letters "G" and "W" which were reduced to 16" high...

In the earlier chapter on coaching stock, in the section dealing with the brown vehicles, Slinn says (page 85) "By 1920 the Company had realised the impracticability of the 25" letters on this type of stock and the standard from then on, as with the freight stock, was a 16in letter."

 

So, either by 1920 or in 1920... Nick (magmouse) will advise if his later impression of Slinn has a different version!

 

Kit PW

 

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What are Slinn's sources of information? Does he cite them? (Either on this specific point or generally.)

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Thanks, Kit - I'll feel comfortable to stick with 1920. Smaller sizes had been around for the lesser-planked wagons anyway, so in a sense the change wasn't that radical. Unlike locos and coaches however, old transfer stocks were not involved as far as I am aware, so the change for newly painted stuff was probably rapid.

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1 hour ago, Compound2632 said:

What are Slinn's sources of information

I've scanned the acknowledgements and bibliography page and also the colour chart from my edition of Slinn - see PM. The colours will be subject to digital interpretation and transmission but I attached it because it describes a difference between Windsor brown and Coach brown, which is interesting for coaches and brown vehicles but doesn't help with red or grey painted freight stock which, I think, is more up your street!

 

Kit PW

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15 minutes ago, kitpw said:

I've scanned the acknowledgements and bibliography page

 

Many thanks for that. My antennae start twitching when a secondary source is cited as gospel - and I mention Dow's Midland Style in this context too. With the latter, I've found that digging deeper into primary sources (thanks to the Midland Railway Study Centre) confirms what is written; Slinn's acknowledgements indicate that, like Dow, he had access to primary material and a good deal of information "from the horse's mouth" if the shades of the Swindon Drawing Offices will forgive the term!

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I am no expert on the Barry, but I know of a couple, though they are not on RMWeb.

Several people have already quoted "Great Western Way". The most recent edition was published in 2009 as Second (revised and extended) Edition. That edition was compiled by 

John Lewis.

It states regarding the GWR: "In 1904 the appearance of the Company freight stock was transformed. It was probably at this time that grey became the body colour for almost all goods stock . . . "

but nothing about underframes.

The drawing of 1921 lettering is referenced in the text as having been attached to a circular dated 17 August 1921 from the CME's office. 

Regarding Barry freight stock, the same volume says:

"Wagon stock was painted dark red . . .  " with again no mention of the solebars. The WRRC volume of Barry drawings merely followed GWW.

You could try contacting Tony Miller, who is WRRC archivist,. He is a Barry follower. His e-mail address there is archivist @ wrrc.org.uk (take out the spaces).

Jonathan

 

 

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8 hours ago, Miss Prism said:

 

Leaving aside for one moment what the nature of these 'templates' was, edition 1 (which doesn't mention them as far as I can see) puts the date of the size changeover as 1920. How explicit is edition 2's '1921'?

If they stopped using the 25” on 31.12.20, and began using the 16” on 1.1.21, then both editions would be correct… 

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1 hour ago, corneliuslundie said:

The drawing of 1921 lettering is referenced in the text as having been attached to a circular dated 17 August 1921 from the CME's office.


The 2009 edition says:

 

1921 to 1937

The large 25in letters on freight stock survived the Great War and re-paints of 1919 came out with the full panoply although another change was in the offing. The main alteration of 1921 was to reduce the size of the letters "G” and "W" to a maximum of 16in high but the layout of the body sides and ends otherwise remained generally unchanged. A 1921 photograph of open wagon 98289 shows it with 25 inch letters, although this example was built by the Birmingham Railway Carriage & Wagon Co Ltd. In conjunction with the change in lettering the CME's Office issued Circular 3627 on 17th August, 1921. This said:

 

"Lettering on Great Western Wagons

I shall be glad if you will arrange as wagons pass through your hands for repainting to paint G W in 1'4" letters.

The lettering should be executed as per accompanying print No. 61468, and I will also ask you to kindly note that, in order to facilitate the work, a set of zinc templates has been forwarded to ….

In the interests of economy, however, your people should be firmly instructed that the new letters are only to be painted on the vehicles when it is necessary to renew the existing lettering owing to the whole or part of the vehicle requiring repainting.

Please acknowledge receipt."“
 

So unless Slinn got in a muddle with the date of the circular, that seems like solid evidence the change was instructed by the CME’s office in August 1921.

 

Nick.

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