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The station building: Walls and gables


Mikkel

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Here’s an update on Farthing’s main station building, modelled on the 1910 prototype at Newbury (see this post for details). This post summarizes work on the walls and gables. There have been other developments, will update on those later.


 

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Although the structure at Newbury is still with us there have been numerous detail changes over the years. Above is a selection of those I have spotted. Most changes appear to have been made after the station was built, so I’m going with the original GWR drawing.

 

 

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The GWR drawing was imported and re-drawn in Inkscape, allowing me to cut the brick sheets in my Silhouette cutting machine.

 

 

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The Silhouette can’t cut styrene deeper than 10 thou, so it essentially scribes the outline on the back of the brick sheet (not the front, too bumpy) and I then cut through with a scalpel. 

 

 

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The brick sheets are SEF. They aren’t ideal for the Newbury brickwork, I had planned to use Slater’s, but the first batch of Slater’s crumbled in my hands and the next batch didn’t cut well in the Silhouette.
 
 

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The outer “skin” for the sides were then ready.
 

 

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A first inner layer was added, using 1mm Foamex from Green Stuff World. The Silhouette cuts this well but again only partly through, so more scalpel work followed.

 

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The first layer of Foamex fitted behind the brick skin. I gave up replicating the prototype’s bullnose bricks and subtle profile around the window edges.  I did try, using good advice from RMwebbers, but couldn’t achieve a convincing look. 

 

 

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Instead, the brick edges around the windows were simply indicated by indenting the foam with a suitable tool from a scribing set. It’s the biggest compromise on the model but I can live with it.

 

 

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The basic sides and ends, a DIY kit of sorts.

 

 

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I then set about adding the Bath stone embellishments.  Here, different types of styrene rod have been joined to represent the profile of the lintel bands.

 

 

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The lintels were cut on my Silhouette, with decorative parts fashioned from triangular rod and small “V’s” cut from Evergreen sheet. 3D prints would have been more accurate, but I enjoy piecing things together on my own – despite the compromises.

 

 

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The prototype stone sills had an overhanging lip, replicated with laminated strips of styrene. Try not to get too excited by these riveting photos :-)

 

 

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The parts were sprayed with Plasti-kote primer, and later painted Dark Sand (Vallejo 70.847).

 

 

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The walls were painted using a new approach I hadn’t tried before. Will post separately on that.

 

 

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Next the roof bands were stuck on.


 

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Then the lintel- and sill bands were fitted (or is it “string courses”, my vocabulary fails me here).

 

 

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The plinth, with the blue bricks that were such a distinctive feature on 20th century GWR structures.

 


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And finally the lintels were stuck in place. I cheated as they should be flush with the brickwork, but that would have entailed some very tricky cutting of the SEF sheets which I think wouldn't have looked neat. The vertical ornaments help conceal the dodge.

 

 

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I then set about decorating the gables. Won’t take long, I thought.

 

 

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But there followed much faffing about with bits of styrene, combining various shapes to compose the ornamentation. 

 

 

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The faux gables including raised brick courses above the lintels, and the ornamentation coming together.

 

 

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The decorative “pinnacles” (what's the word?) were tricky, being hexagonal yet slim. I first fitted strips of brick sheet on a hexagonal Plastruct rod, but the thickness of the SEF sheets made them overscale.

 

 

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So instead I just scribed the hex rod directly to indicate mortar courses, as seen here. Far from perfect, but it blends in OK. Decorative balls were made from pinheads, stolen at night from my wife’s sewing table. She knows, but pretends not to.

 

 

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There were two gables, so it took a while. If deconstructed each gable would consist of 101 separate bits. Probably not unusual for a scratchbuild, it’s just that normally we don’t count!

 

 

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An overview of all the brick sides. My camera exaggerates the colours. A few final details (downpipes etc) will be added later.


 

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The Bath stone was looking a bit plain (bottom), so was lightly weathered (top), though the camera doesn't show it well. I want the structure to look new, i.e. within a few years of construction. [Note to self: Vallejo Pigments Natural Sienna 73.105 + MIG Panzer Grey Fading P035].

 

 

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At 83 cms this is the longest structure I have built. After years of happily snapping small layouts, I’m struggling with the photographic challenges of such a long structure.

 

 

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First passengers have arrived! (click image for larger size). I had planned to divide the structure into 2-3 separate sections for easy storage but am now thinking it’s easier to just build it as one whole unit.

 

 

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A dry run with all sides in place. The windows are almost ready to fit, and parts are being cut for the interior carcass. More on that later.

 

Edited by Mikkel

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3 hours ago, Miss Prism said:

Kidderminser Town and Stourbridge Town.

 

The design was standardised to a high degree, and its use as far out as Ross shows it was not a 'local' design.

The Kidderminster Town station is of course a new build by the SVR.

 

The original station at Kidderminster was interesting and totally different (probably unique on the GW).

Built 1863 in a mock Tudor style.

 

See image on wiki, under “History” section.

 

https://en.wikipedia.org/wiki/Kidderminster_railway_station

 

Edited by rprodgers
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There's more on the history of Kidderminster mainline station here:

https://www.svrwiki.com/Kidderminster_mainline_station

 

I was struck by this: "By the 1940s, nearly 300 railwaymen were employed at Kidderminster in various capacities including the passenger station, goods depot and goods yard, locomotive shed, traffic department, P-way and S&T."

 

Three hundred souls! How many at the mainline station today? 

 

I've been looking into Kidderminster as I'm thinking of modelling the warehouse for Farthing one day (the current SVR Museum). The 1878 build date doesn't quite fit my potted history of Farthing though. 

 

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12 hours ago, Mikkel said:

The basic principle with two flat-topped towers at the sides appeared in different shapes and forms at various locations:

It seems to have been a popular style at that period.  I grew up in Southport and had a nagging feeling that the style of the towers was familiar - I found the following on Wikimedia:

 

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Pavilion Buildings, built in the 1870s as a Luxury Hotel at the southern end of the main Lord Street thoroughfare.

Source From geograph.org.uk  Author Gerald England Attribution (required by the license) Gerald England / Pavilion Buildings, Southport / CC BY-SA 2.0

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12 minutes ago, MikeOxon said:

It seems to have been a popular style at that period.  I grew up in Southport and had a nagging feeling that the style of the towers was familiar

(If I remember rightly) it's called "French Second Empire" style, characterised by mansard roofs. Quite why it was seen as appropriate for GWR station buildings, I cannot imagine.

 

 

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Wonderful, inspiring work as ever, Mikkel. Makes my own paltry efforts this week (a Wills station kit) look rather underwhelming!

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8 hours ago, kitpw said:

(If I remember rightly) it's called "French Second Empire" style, characterised by mansard roofs. Quite why it was seen as appropriate for GWR station buildings, I cannot imagine.

 

I'm not sure that Percy Emerson Culverhouse was any more on the right lines.

 

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https://en.wikipedia.org/wiki/Cardiff_Central_railway_station

 

Though I used to live in Truro and used that station, the early railways' classical-style termini were for me in better architectural taste (even if few survive), and even recent developments like KX seem to work well. But I am enjoying seeing this model build.

 

Edited by Dunalastair
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Well, they are imposing at least!

 

The mansard roof towers on stations were even exported to lands afar:

 

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4 hours ago, Barry Ten said:

Wonderful, inspiring work as ever, Mikkel. Makes my own paltry efforts this week (a Wills station kit) look rather underwhelming!

 

Thank you Al, although nothing on your superb layouts is ever underwhelming.

 

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3 hours ago, Dunalastair said:

 

I'm not sure that Percy Emerson Culverhouse was any more on the right lines.

 

Cardiff_Central_Station,_geograph_499365

https://en.wikipedia.org/wiki/Cardiff_Central_railway_station

 

Though I used to live in Truro and used that station, the early railways' classical-style termini were for me in better architectural taste (even if few survive), and even recent developments like KX seem to work well. But I am enjoying seeing this model build.

 

 

Cardiff rates highly in Simon Jenkins' very nice book on railway architecture, at least. And now I know the origin of Culverhouse Cross (famous or infamous) roundabout/shopping development on the way out of Cardiff.

 

I also lived in Truro, but never entered the railway station.

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Thanks Andrew. The irony is that the gables will face away from the main viewing side. Maybe I should consider not having a backscene, so that I can see it from both sides  - it's hardly going to leave home anyway.

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5 hours ago, Mikkel said:

Thanks Andrew. The irony is that the gables will face away from the main viewing side. Maybe I should consider not having a backscene, so that I can see it from both sides  - it's hardly going to leave home anyway.

I know what you mean. The main approach for Cheddar will be on the non viewing side at exhibitions!

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Thank you John, I'm glad you like it. Am currently fitting the windows and wish the GWR hadn't done the frames and glazing in chocolate brown during my main modelling period. I think it looked better later when they were done in white.

 

I look forward to seeing the station at Hartley Hill in due course, hope you've had time for a bit of modelling over christmas. 

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I have just laser cut windows for my station building the glazing bars are 0.2mm thick while the main frames are  .7mm

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Ah, very nice. Can I ask what is the material that you are cutting into?

 

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Acrylic for the .2mm and romark or something similar for the .7mm

 

i am now 3d printing the entire building carcass with all the correct brickwork I think it may take same time!

 

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Mikkel

Posted (edited)

Fascinating. The brickwork seems nicely captured, and it looks like the rounded bullnose corners are there. The lintels will need some embellishments added, but those can also be 3D printed I assume.

 

This really is a whole new paradigm in modelling. Increasingly it is no longer a question of whether something can be achieved, but more a question of how we want to approach a project (e.g. old school or 3D printed). 

 

Edited by Mikkel
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Yes there are rounded corners to the edges of the windows and doors plus the corners but the bullnose bricks only go 3/4 of the way up before it returns to normal bricks. the stone head lintels are plain and don't have embellishments.

 

I have since cleaned the print up and trail fitted the laser cut windows which look amazing.

 

 

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13 hours ago, David Bigcheeseplant said:

I have since cleaned the print up and trail fitted the laser cut windows which look amazing.

 

Sounds good.  I;d be interested to know more about how you prepare the artwork for 3D-printing brickwork

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11 hours ago, MikeOxon said:

Sounds good.  I;d be interested to know more about how you prepare the artwork for 3D-printing brickwork

I draw the vertical mortar course first working out the corners window/door openings with the quarter brick queen closures using array tools. then fill in the other vertical mortar lines using the array tool again. it is only when all the verticals have been done I do the horizontal courses.

 

If I was doing laser cutting then I would just draw one line that the laser will follow on 3D printing I need to specify not only the width of the mortar but the depth too. In Fusion 360 I can set parameters so both the Hight of bricks, width and depth of the mortar can be set and changed if not right, I originally did the mortar at .1mm depth and width but although you could see it on the print it would have been impossible to paint, so changed it to .2mm wide and .3mm depth.

 

Also as I said before the height of the bricks was not 76.2mm (3")  high but 84mm high so had to adjust the height of my bricks to match the overall height.   

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