Jump to content
 

GWR 4-plank with casks


magmouse

1,244 views

Yet another GWR 4-plank! This time in grey livery, and with a load of large casks:

 

pic00.jpg.2aa3c82521c7cd0a72df5363bcf5fb37.jpg

 

The wagon itself is a standard Peco kit, which I got on eBay as a 'rescue' wagon - it had been built reasonably well but painted poorly. I scraped most of the paint off the main flat areas, and repaired a partly broken W-iron. I removed the compensated wheel-set in the process, which turned out to be quite useful later on.

 

pic01.jpeg.daf6ac33508e02765bb9eb417587e7a3.jpeg

 

I also upgraded a few parts - firstly the damaged brake lever was replaced with an Ambis etched version. The brake lever guard was made up from nickel silver strip and a ratchet taken from the Ambis etch:

 

pic02.jpeg.af9a35ff649055c91eecd103e5323b06.jpeg

 

pic03.jpeg.896fda397d93c9cca8484e9611d115de.jpeg

 

The moulded chains for the door pins were replaced with twisted fuse wire. This is done by taking a 5cm length of fine fuse wire, folding it in half around the shank of a 1.5mm drill, and putting the two ends into a pin chuck. Twizzling the pin chuck twists the wire, and when it is tight, the wire can be slid off the drill, leaving a nice loop for the ring if you need to model that. In this case, I kept the moulded ring, and just replaced the chain, scraping off the moulded version, drilling a fine hole, inserting the twisted wire, and adding a small drop of thin CA glue applied on the end of a piece of fine wire.

 

pic04.jpeg.d0f893df517e541a292a998cf078b0b7.jpeg

 

Cleats were added to the end curb rails, and under the side curb rails, using some 0.5mm soft iron wire. This bends to shape easily, and is blackened, reducing the chance of a metallic gleam if the paint is rubbed off.

 

pic05.jpeg.24f2164cdbd559b1b0f7fc6039bf685b.jpeg

 

The rest of the work on the wagon was pretty standard - painting with a home-brew GWR grey mixed from black and white Vallejo acrylics, lettering with HMRS pressfix, and fairly light weathering with powders.

 

Most of the work in this build was the casks, and simulating the correct method of loading them. The casks themselves are from MiniArt:

 

pic06.jpeg.40679d43d01399c0bc5c89253be181ca.jpeg

 

They are nominally 1:35 scale, but the detail is finely moulded, so they pass for larger casks at 1:43.5. In the kit you get 6 sprues, which provide parts for 12 casks, 6 each of two sizes:

 

pic07.jpeg.c0a65ebfee65fcdfe04ba2fec3516806.jpeg

 

For this wagon load, I chose the larger casks, which are very close to the right length for 'tuns' - a particular size of cask - although they are slightly too large in diameter.

 

The GWR Appendix to the Rule Book, 1936, has instructions for loading casks. Large ones, such as tuns and puncheons, containing wines and spirits, are to be loaded on rope rings, and roped to the side of the wagon. Curiously, the photographs used to illustrate the method show a Midland Railway 3-plank wagon. The photos are poorly reproduced, especially the one that shows the roping, though the one showing the inside is available online online in much better quality, from the Midland Railway archives.

 

My attempts to find a better version of the second photo, are documented in the following thread, together with other discussion of casks, loading, etc, so I won't repeat that information here:

 

 

Researching rope rings, I found some instructions on YouTube for tying a crown knot. I used 1mm diameter rigging thread, from www.cornwallmodelboats.co.uk. I won't give full instructions here, as they are easily found on the internet, but here are the basic steps:

 

pic08.jpeg.a48e6c10fbd23184d0c1f2c9c64b1a00.jpeg

 

pic09.jpeg.57456e5e8d5910007a33352072f93086.jpeg

 

pic10.jpeg.357d72b4d56e52f832ef9332fef210c0.jpeg

 

pic11.jpeg.d4e1085986f7b8de3ee6a1e495db7410.jpeg

 

pic12.jpeg.16b23f7c418bf1fbc8d7ee45eabb74a7.jpeg

 

pic13.jpeg.8d43e8fd0ab4ee40ee08fec07b5ec3e5.jpeg

 

I didn't make a complete ring, as you can only see one side, since the casks are tight to the wagon side on the other.

 

Each part-ring was glued around a plastikard centre, to hold the ring in shape and to give something solid to glue to both the cask and the wagon floor. 

 

pic14.jpeg.e3be10cd3156d68582bd6ef3c1e06421.jpeg

 

To get the cask to nestle nicely into the rope ring, I soaked the sides of the ring, where it can't be seen, in thin CA glue to harden the thread, and then filed a shallow depression in the rope and the plastic centre with a half-round file. Holding the ring was made easier by putting a drill in the vice, shank upwards, and putting the ring onto that while filing it:

 

pic15.jpeg.ca26d6b3feda188c54329e642950312c.jpeg

 

The result was a close fit between ring and cask, helping give a sense the cask is heavy, and squashing the ring somewhat:

 

pic16.jpeg.5caaa61166e38d5ef7a71c5ac1b13383.jpeg

 

I drilled a hole in what would be the bottom of each cask to take a cocktail stick, which acted as a handle for painting, and later to locate the rope ring:

 

pic17.jpeg.e436b8f26a7968c46c5c523a48124bfd.jpeg

 

The first coat of paint was a grey primer, then a warm new-wood cream colour. This was followed by dry brushing in greys and browns:

 

pic18.jpeg.d950cc207c8722b984497f1791e7b48f.jpeg

 

And washes of greys, with a touch of brown weathering powder:

 

pic19.jpeg.c117dd013ad40e86230aff3c461c33d2.jpeg

 

The metal rings were painted with a fine brush using a dark grey, followed by a lighter grey dry-brushing. The crisp moulding of the casks means that though this is a fiddly job, it's perfectly possible to get a neat result.

 

Once I was happy with the casks, the rope rings were glued in place, sliding them up the cocktail sticks, which were trimmed off once the glue was set.

 

pic20.jpeg.7534797a2e9e5cd706b361ce3bb434ec.jpeg

 

The GWR rules appendix doesn't refer to any packing between the casks and the wagon side, though it firmly forbids the use of straw rings under the casks - only a rope ring will do. The equivalent section of the BR rules says straw pads should be used to "prevent chafage". I decided to add knots of straw (made from plumbers' hemp) as packing, glued to the sides of the casks:

 

pic21.jpeg.5ee7a4ba20b57d9380c6cef9e08943ce.jpeg

 

The casks were then glued into position, ready for the roping. In the absence of a better photo, I did the best I could with the picture in the GWR rules appendix:

 

pic22.jpeg.aa0cc8c6b1b542a3fd2936baac1dc96d.jpeg

 

As far as I could tell from this picture, the ropes go something like this:

 

pic23.jpg.c15a9eff1b4342888f4a1972cd605813.jpg

 

A GWR 4-plank has different available tying-off points compared to a MR 3-plank, so I had to adapt things a little. In particular, I was able to use the holes in the solebar - and at this point it was an advantage that I had removed the compensated axle unit as part of my repairs to the already-built kit. To ensure the ropes looped through the solebar hole did not foul the movement of the compensated axleguards, I cut away the back of the solebar a little, making a slot for the thread to sit in.

 

The prototype ropes were 75 feet long, or 525mm in 7mm scale. I used 0.5mm diameter rigging thread, which is almost exactly the right size, cut to length and given a diluted wash in India ink. On each side, one rope does the first two casks, and a second rope does the third, and runs back along the side to tension the verticals:

 

pic24.jpeg.4a55a0d445780dc8c9a4c2b39a2e8ee2.jpeg

 

And there it is. As it turns out, with the straw packing between the sides and the casks, the space between the casks along the centre of the wagon is so narrow it is almost impossible to see the rope rings, but you can glimpse them if you look at the right angle and in the right light. I haven't yet decided what to do with the smaller casks, but they would have a larger gap if I decide to do a similar load, or I could do a part load with casks on one side and something else on the other, so the rings are visible.

 

Although my wagon 'roadmap' has eight GWR 4-plankers, they will all have different combinations of details and loads, sparing me from too much monotony. I am greatly enjoying modelling the loads, based on research and in particular the correct methods of loading as shown in the rules book appendix. They also say something about the role of the railways, and life in general, in Edwardian Britain.

 

pic25.jpg.4ba14fdb84273f383a7707dfa6f6c535.jpg

 

pic26.jpg.43e36bc5d42e1b53bbebd91a5a3dccf1.jpg

 

pic27.jpg.cf392d4c98b8da9bebce684d1da7a132.jpg

 

pic28.jpg.6f57199cae30bd38af8999bac5ba5fd1.jpg

 

 

Nick.

  • Like 6
  • Informative/Useful 1
  • Craftsmanship/clever 23
  • Round of applause 10

12 Comments


Recommended Comments

  • RMweb Premium

Very nicely done, the ropework is first class. Casks are well painted too. I like the weathering, spot on, I think too many modellers over weather. 

 

One very minor observation if I may. A spot of solder or superglue to fill the slight gap in the the links of the 3 link couplings. I find it strengthens them too. 

  • Like 1
  • Agree 1
  • Informative/Useful 1
Link to comment
  • RMweb Gold

Wonderful. The rope rings look superb. I am also very taken with the shades of the casks and rope. Not easy at all.

 

Apart from the high level of modelling, your wagons are also an inspiration for those with limited space, as they show how much interest can be put into a single wagon.

 

 

  • Agree 4
Link to comment
  • RMweb Premium
9 hours ago, Dave John said:

Very nicely done, the ropework is first class. Casks are well painted too. I like the weathering, spot on, I think too many modellers over weather. 

 

Thanks, Dave. I agree with weathering - as Stephen @Compound2632 has pointed out, in the Edwardian era (and pre-grouping generally) wagons may have been dirty, but they were well maintained. The decrepit, rusty look relates to the post-WW2 scene, even though it is great fun to model. Looking at photos of the period, wagons could get quite grubby, but it was generally a layer of dirt (soot, dust, spilt flour or other loads) over intact paintwork. Scuffs and scratches are quite common, but no pealing paint or rust.

 

I am also mindful that for my 1908 period - and my working presumption that GWR wagons were red until 1904 - that any wagon in grey livery with large 25" GW lettering can be no more than 4 years since its last repaint. Conversely, wagons in red livery must be at least 4 years from a repaint. I therefore reserve the heavier weathering for the red-liveried wagons.

 

9 hours ago, Dave John said:

One very minor observation if I may. A spot of solder or superglue to fill the slight gap in the the links of the 3 link couplings. I find it strengthens them too. 

 

Thanks - yes, a good point. The gaps show up especially when photographed against a white background, of course. I did experiment with one wagon, using a drop of CA glue to fill the gap, which worked well. I may do a mass session to 'retrofit' this upgrade to my existing stock.

 

Nick.

  • Like 4
Link to comment
  • RMweb Premium
5 hours ago, Mikkel said:

Apart from the high level of modelling, your wagons are also an inspiration for those with limited space, as they show how much interest can be put into a single wagon.

 

Thanks, Mikkel. I've learnt a lot about limited space modelling from you! At the moment, I am just doing rolling stock, as a creating a layout of any kind is dependent on a house move, or at least some significant reconfiguration of the current house. For now, I am enjoying seeing each wagon build as a kind of 'portrait', trying to capture not just the look of a wagon type, but a wagon in a particular situation, doing a particular job, which sustains my interest (alongside the more technical challenges of how to model sheets, ropes, the loads themselves, etc.).

 

Nick.

  • Like 1
Link to comment

Yet another excellent example Nick. I'm really enjoying this series and the results you are achieving

 

Chris

  • Agree 1
  • Thanks 1
Link to comment
  • RMweb Premium

Thanks Chris - that’s every encouraging to hear. More soon, as I still have a backlog of wagon builds to write up, after which the pace might slow a bit…

 

Nick.

Link to comment
  • RMweb Gold

Where is the "Holy Smoke!" button, not sure Craftsmanship quite cuts it.

 

That looks fantastic Nick, very well observed.

  • Agree 2
Link to comment
  • RMweb Premium
46 minutes ago, 57xx said:

Where is the "Holy Smoke!" button, not sure Craftsmanship quite cuts it.

 

That looks fantastic Nick, very well observed.

 

Thanks - I'm glad you like it!

 

Nick.

Link to comment

Did you add any representation of either the large bung on the cask side (for filling) or the small bung on the end (for the tap)?

 

Or any marking to represent the owning brewery?

 

regards, Graham

Link to comment
  • RMweb Premium

Hi Graham,

 

No, I didn't, though there should be something. I am imagining these are carrying wine, come by sea to Netherport from France via Cherbourg.* They might then have end bungs, which you probably wouldn't be able to see if they were on the ends that are facing each other. A lame excuse, I know...

 

Nick.

 

* if I am feeling especially fanciful, the explanation is that in Nether-world, the branch line down to Netherport departs the mainline at Wanton Abbas - the town being named for the local abbey. There is another abbey of the same order in France, which - by reason of an ancient debt - sends wine to the English abbey every year.

Link to comment

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now

×
×
  • Create New...